Violence in a Women's Prison

Rating:
Summary: Emanuelle in a cage!
Review: "Violence in a Women's Prison" falls neatly into that particularly loathsome category of films lovingly referred to by fans of the cinematic macabre as "Women-in-Prison," or WIP, movies. Nearly every entry in this bizarre sub genre emerged in the 1970s, a decade known for its wacky, experimental odysseys into the darker aspects of human nature. Arguably the best known film falling within the bounds of WIP is "Ilsa: She-Wolf of the SS," a movie that spawned several depraved sequels. "Violence in a Women's Prison" is a kinder, gentler contribution to this field from Italian hack director Bruno Mattei, a man who made several other sleazy pictures both preceding and following this one. "Women-in-Prison" films largely died out by the mid 1980s (despite the late date of this Mattei project), but now new generations of sleaze lovers can watch these movies thanks to the current DVD revolution. It sort of makes you wonder about the technological innovations today, doesn't it? Whoever invented the idea of storing information on shiny discs probably never imagined this technology would help restore trash cinema classics.

I always had a negative opinion of Mattei until I watched this film. Contributing yet another episode to the expansive "Emanuelle" series, Bruno lensed this film with Laura Gemser in the title role of an undercover journalist named Laura Kendall serving time in a penitentiary in order to expose the sadistic practices occurring there. Upon her arrival in prison, Gemser first meets Doctor Moran (played by Gemser's real life husband Gabriele Tinti) for her physical checkup. As it happens, the guy is actually an inmate himself in the male wing of the penitentiary. Earning an all clear from the physician, Kendall acquaints herself with the staff and several of her fellow inmates. These people are a sordid bunch, with the female guards and cellblock bullies enthusiastically taking part in tormenting the helpless inmates. It isn't too long before our heroine falls in with a lifer by the name of Bella, one of those stock prison characters found in every film made about life behind bars. Bella keeps a pet roach in a wooden box and sagely advises Gemser on how to stay out of trouble.

What fun would the movie be if Laura Kendall stayed out of trouble? Not content to go along with the crowd, Gemser promptly tosses a bucket of detritus on a guard and then beats the hapless bull with a baton. The prison administration simply will not abide such hijinks and tosses Kendall into a solitary confinement cell packed with rats. Despite nearly dying from her encounter with the furry critters, Gemser's character still doesn't learn her lesson. She pushes every chance she gets, eventually winning the cautious Bella and a few other prisoners to her side. Matters deteriorate as the guards brutalize female inmates in ways both physical and mental, a prisoner dies in a fight over in the male wing, and a letter arrives on the desk of the warden warning of an undercover reporter attempting to dig up dirt on the prison system. It doesn't take a rocket scientist to figure out Kendall is the journalist, so the warden and his female goons run Gemser through a series of "tortures" in order to extract information from her. She admits her identity in the end just as Doctor Moran steps in with a plan for freedom. In order to execute the plot, several of the inmates stage a "revolt" in order to buy Kendall/Emanuelle time to flee the area. Several "surprising" tragedies take place that may or may not have you wiping at your eyes over the heartbreak of it all.

I know I wiped the tears from my eyes a time or two, not from sadness but from hilarity. "Violence in a Women's Prison" is one of the funniest films I have seen in awhile. Try and keep a straight face as the cellblock goon and a few guards break in some of the new inmates. Suppress those chuckles while watching the guards' obviously fake batons flap in the breeze. Stifle those rapidly rising guffaws over the totally unconvincing performance Gemser gives as rats "attack" her. Sure, you get some gratuitous nudity, bad attitudes, and atrocious dialogue, but Mattei's film is hardly a serious contender in the genre. Heck, most of what we see here barely pushes the envelope. Having laughed at the film, I should list the good things about it. I thought the soundtrack; a thumping, synthesizer drenched score from Luigi Ceccarelli sounded great. Sometimes the music didn't match what was happening onscreen, but it still gave the picture a sort of ethereal quality that it probably didn't deserve. Moreover, the set pieces--although sparse and cheap--had a sufficiently seedy tint to them that spread to the film as a whole.

If you want serious WIP, it is out there waiting. If you just want to laugh a bit, "Violence in a Women's Prison" should be right up your alley. Leave it to Media Blasters to throw some extras on a DVD release of the film. There is a short interview with Bruno Mattei, a completely lame trailer for this film, and a few other previews for movies like Umberto Lenzi's "Spasmo." As for the picture quality, I thought it was fine for a low budget cheesefest, but the sound quality was mediocre. With frightening regularity, my sound system coughed, popped, and generally grumbled nearly every time a scene changed. It got so bad that I thought my system was on the fritz, but none of the other movies I played after this one sounded anything like this disc. The audio problems took away some of the overall enjoyment of the film, and yes, I ultimately enjoyed "Violence in a Women's Prison" despite its flaws.

Rating:
Summary: Emanuelle in a cage!
Review: "Violence in a Women's Prison" falls neatly into that particularly loathsome category of films lovingly referred to by fans of the cinematic macabre as "Women-in-Prison," or WIP, movies. Nearly every entry in this bizarre sub genre emerged in the 1970s, a decade known for its wacky, experimental odysseys into the darker aspects of human nature. Arguably the best known film falling within the bounds of WIP is "Ilsa: She-Wolf of the SS," a movie that spawned several depraved sequels. "Violence in a Women's Prison" is a kinder, gentler contribution to this field from Italian hack director Bruno Mattei, a man who made several other sleazy pictures both preceding and following this one. "Women-in-Prison" films largely died out by the mid 1980s (despite the late date of this Mattei project), but now new generations of sleaze lovers can watch these movies thanks to the current DVD revolution. It sort of makes you wonder about the technological innovations today, doesn't it? Whoever invented the idea of storing information on shiny discs probably never imagined this technology would help restore trash cinema classics.

I always had a negative opinion of Mattei until I watched this film. Contributing yet another episode to the expansive "Emanuelle" series, Bruno lensed this film with Laura Gemser in the title role of an undercover journalist named Laura Kendall serving time in a penitentiary in order to expose the sadistic practices occurring there. Upon her arrival in prison, Gemser first meets Doctor Moran (played by Gemser's real life husband Gabriele Tinti) for her physical checkup. As it happens, the guy is actually an inmate himself in the male wing of the penitentiary. Earning an all clear from the physician, Kendall acquaints herself with the staff and several of her fellow inmates. These people are a sordid bunch, with the female guards and cellblock bullies enthusiastically taking part in tormenting the helpless inmates. It isn't too long before our heroine falls in with a lifer by the name of Bella, one of those stock prison characters found in every film made about life behind bars. Bella keeps a pet roach in a wooden box and sagely advises Gemser on how to stay out of trouble.

What fun would the movie be if Laura Kendall stayed out of trouble? Not content to go along with the crowd, Gemser promptly tosses a bucket of detritus on a guard and then beats the hapless bull with a baton. The prison administration simply will not abide such hijinks and tosses Kendall into a solitary confinement cell packed with rats. Despite nearly dying from her encounter with the furry critters, Gemser's character still doesn't learn her lesson. She pushes every chance she gets, eventually winning the cautious Bella and a few other prisoners to her side. Matters deteriorate as the guards brutalize female inmates in ways both physical and mental, a prisoner dies in a fight over in the male wing, and a letter arrives on the desk of the warden warning of an undercover reporter attempting to dig up dirt on the prison system. It doesn't take a rocket scientist to figure out Kendall is the journalist, so the warden and his female goons run Gemser through a series of "tortures" in order to extract information from her. She admits her identity in the end just as Doctor Moran steps in with a plan for freedom. In order to execute the plot, several of the inmates stage a "revolt" in order to buy Kendall/Emanuelle time to flee the area. Several "surprising" tragedies take place that may or may not have you wiping at your eyes over the heartbreak of it all.

I know I wiped the tears from my eyes a time or two, not from sadness but from hilarity. "Violence in a Women's Prison" is one of the funniest films I have seen in awhile. Try and keep a straight face as the cellblock goon and a few guards break in some of the new inmates. Suppress those chuckles while watching the guards' obviously fake batons flap in the breeze. Stifle those rapidly rising guffaws over the totally unconvincing performance Gemser gives as rats "attack" her. Sure, you get some gratuitous nudity, bad attitudes, and atrocious dialogue, but Mattei's film is hardly a serious contender in the genre. Heck, most of what we see here barely pushes the envelope. Having laughed at the film, I should list the good things about it. I thought the soundtrack; a thumping, synthesizer drenched score from Luigi Ceccarelli sounded great. Sometimes the music didn't match what was happening onscreen, but it still gave the picture a sort of ethereal quality that it probably didn't deserve. Moreover, the set pieces--although sparse and cheap--had a sufficiently seedy tint to them that spread to the film as a whole.

If you want serious WIP, it is out there waiting. If you just want to laugh a bit, "Violence in a Women's Prison" should be right up your alley. Leave it to Media Blasters to throw some extras on a DVD release of the film. There is a short interview with Bruno Mattei, a completely lame trailer for this film, and a few other previews for movies like Umberto Lenzi's "Spasmo." As for the picture quality, I thought it was fine for a low budget cheesefest, but the sound quality was mediocre. With frightening regularity, my sound system coughed, popped, and generally grumbled nearly every time a scene changed. It got so bad that I thought my system was on the fritz, but none of the other movies I played after this one sounded anything like this disc. The audio problems took away some of the overall enjoyment of the film, and yes, I ultimately enjoyed "Violence in a Women's Prison" despite its flaws.

Rating:
Summary: interest for some
Review: Caged woman is better that women prison massacre. Unfortunately I think the director thought he was making a serious film. There is a lot of dialogue between the ... scenes. Emmanuelle however does get naked when she is molested by the general. on the whole watchable but not a classic.

Rating:
Summary: interest for some
Review: its true, not just anyone can! . why are they certain trashy exploitation movies we hold dear?

Mattei did bring style/substance to his films. Watch "Violenza in un carcere femminile" aka "Caged Women" There is a dark mood to this film--done by style of cinematography, the score, the right cast, great flesh, script and direction. And by the way; cheese was intentional!! I really believe this. God I love this movie; I think I'll watch it tonight.

I like "women's camp 119" and "Night of the Zombies" aka Virus for the same reasons but "SS girls" is my favorite. Those who do not believe Mattei Cheesyness was not intentional should see this. In fact all of you who have not seen this film, should. It may be his masterpiece.

Those who do not like this film, simply do not like exploitation movies period! This is a WIP must have

Rating:
Summary: not just anyone can make such trash!!!!
Review: its true, not just anyone can! . why are they certain trashy exploitation movies we hold dear?

Mattei did bring style/substance to his films. Watch "Violenza in un carcere femminile" aka "Caged Women" There is a dark mood to this film--done by style of cinematography, the score, the right cast, great flesh, script and direction. And by the way; cheese was intentional!! I really believe this. God I love this movie; I think I'll watch it tonight.

I like "women's camp 119" and "Night of the Zombies" aka Virus for the same reasons but "SS girls" is my favorite. Those who do not believe Mattei Cheesyness was not intentional should see this. In fact all of you who have not seen this film, should. It may be his masterpiece.

Those who do not like this film, simply do not like exploitation movies period! This is a WIP must have

Rating:
Summary: The one thing that makes this film worth while...
Review: Laura Gemser. Enough said

Rating:
Summary: The one thing that makes this film worth while...
Review: Laura Gemser. Enough said

Rating:
Summary: Stupid plot, but what women-in-prison flick has a good plot?
Review: No, these exploitation films require only that we see at least one sexy babe being molested by the evil female warden, maybe a couple of other beautiful women making out with eachother in their cell, and at least one steamy shower scene with several naked girls together. In this regard, "Caged Women" delivers.

Rating:
Summary: Women in Prison sleaze Italian style
Review: This Joe d'Amato film takes the Women in Prison genre one step deeper into the abyss of sleaze, bordering on pornography. The plot, or lack thereof, is typical: woman goes into jail undercover to unearth the guards corruption. To make the film last 80 minutes, Joe d'Amato fills the story with lesbianism, vile tortures, naked women in rat infested sewers, and plenty of gratuitous sex. I gave this movie 1 star because there is no option for a 0 star rating. Even hardcore fans of Euro sex queen Laura Gemser will find this one a total bore.

Rating:
Summary: sadistic, twisted, and disturbing
Review: this latest Laura Gemser soft-core flick has all the elements of her previous films. there's nudity, violence, lesbianism, teasing, and so much bizarre situations and plot twists it would make the average viewer somewhat dizzy. in this film, we see Gemser playing a reporter who poses as a prostitute in order to get put in prison and experience all the rumors about violence and amoral prison guards. once put in prison, Gemser has one confrontation after another. the warden and her underlings get their kicks watching women get beat up with billy clubs and there's one scene in the film where just the sounds of two women having sex prompt two female cell-mates to give in to their desires. the overall plot is borderline soap opera with the emphasis on over-emotional turmoil and writhing bodies. there's only two scenes in the film that would qualify as a "sex scene", all other segments are nudity and teasers. however, there is a doctor who at first comes across as just another sleazeball but he turns out to be a normal guy locked up for killing his wife (her wish) but his knowledge of medicine is how he was appointed the prison's doctor. after his second appearance, we start to see that he's going to help Gemser escape the prison dead or alive. this is a great "atmosphere" film and one that will haunt you for weeks and months because the violence is so horrific. the film lacks character development for the authority figures, who appear in this film as nothing more than sadistic, twisted rapists. maybe that was the goal? maybe the film was designed to expose the hypocrisy of prison guards and how the guards act all self-righteous but as soon as the lights go out they're just as despicible as the criminals? whatever the case, i gave it 4 stars for the simple fact of the guard's and warden's lack of humanity.