Rating: 
Summary: when sharif was an actor
Review: I have been looking for this movie since 1973. I saw it over seas and did not even know it was a hollywood movie. I thought it was to good and dealt with subjects westerners have (I thought ) no knowledge of. I have waited this long I will wait for the DVD. the story line and Sharif's acting are as engaging (stimulating) as anything I have ever seen.
Rating: 
Summary: True to the book
Review: I have been to Afghanistan three times (before the Russians invaded) and watched a number of games of buzkashi. The scenes depicted were very accurate. Also, the movie stays true to Joseph Kessel's book. This is one of only three movies I know of that are set in Afghanistan - the others being 'Caravans' (from James Michener's novel) and 'The Beast' (or "The Beast of War') about a Russian tank crew during their occupation.
'The Horsemen' is by far the best movie.
Rating:
Summary: The Horsemen
Review: I saw this movie in VHS form while living in Singapore. It is truly an amazing and unique story regarding the strong character and will of a father (Jack Palance) and son (Omar Shariff). It is a must for those who study the character and nearly limitless possibilities of man. I put this item on my DVD wish list earlier this year. Finally it is available. I look forward to adding this DVD to my library and being able to enjoy it with friends and family.
Rating:
Summary: Great movie about dealing with the hand fate deals you
Review: Saw this movie just once when first released and have been searching for it ever since. I believe it is Omar Shariff's best role. More on a par with Lawrence of Arabia than the fluff he did in Funny Girl or Dr. Zhivago. This movie contains the best scenary of afganistan you will ever see. And the footage of the Bushkazi match is unforgettable
Rating: 
Summary: Superb Buzkashi; OK Acting; Awful Script
Review: The script is very standard Hollywood: young man, championship athlete, suffers career destroying injury; turns bitter and withdraws inwards, morose, sullen, self-pitying, lashes out and hurts those who love him; eventually comes to terms with his injury and shows stern but concerned father how well he can still function in life.Yaaaawn. BUT, the scenery is spectacular and the shots of the Royal Buzkashi are truly incredible. The director filmed the actual Royal Buzkashi in Kabul and it is simply the best part of the whole film. Also, the final scene when the stuntman (an Uzbek; member of the team that won the Royal Buzkashi several times) performs spectacular trick riding with one leg folded back and strapped in place, is truly great. All in all, rent it for the scenery and the Buzkashi. Well worth the money.
Rating:
Summary: learning karate
Review: These are cool movies about a kid, Ralph Macchio, who gets bullied by his friends boyfriend. He uses karate from a book to fight the guys, but that is not enough. He gets beat up and his landlord,Pat Morita, teaches him the martial arts so he can defend himself from the bullies. He also learns patients. In the end he ends up fighting them in a karate championship and wins first place. The next movie is just a continuation of the first movie , Ralph learns more stuff, but its mostly about Pat Morita. If you want to know more rent them or even buy them.
Rating:
Summary: learning karate
Review: These are cool movies about a kid, Ralph Macchio, who gets bullied by his friends boyfriend. He uses karate from a book to fight the guys, but that is not enough. He gets beat up and his landlord,Pat Morita, teaches him the martial arts so he can defend himself from the bullies. He also learns patients. In the end he ends up fighting them in a karate championship and wins first place. The next movie is just a continuation of the first movie , Ralph learns more stuff, but its mostly about Pat Morita. If you want to know more rent them or even buy them.
Rating:
Summary: learning karate and patients
Review: These are great movies! Ralph Macchio learns a ton of martial arts and focus in the first movie from Pat Morita. At the beggining of the movie he moves. He doesn't have much trouble making friends until a group of guys catch him at the beach with one of the guys girlfriend. He tries to fight them with karate he learned from a book. They beat him up and later on in the movie his landlord,Pat Morita, teaches him the martial arts. He fights the bullies in a karate compitition. The next movie is just a take off on the first movie. He learns more karate and patients.
Rating:
Summary: learning karate and patients
Review: These are great movies! Ralph Macchio learns a ton of martial arts and focus in the first movie from Pat Morita. At the beggining of the movie he moves. He doesn't have much trouble making friends until a group of guys catch him at the beach with one of the guys girlfriend. He tries to fight them with karate he learned from a book. They beat him up and later on in the movie his landlord,Pat Morita, teaches him the martial arts. He fights the bullies in a karate compitition. The next movie is just a take off on the first movie. He learns more karate and patients.
Rating:
Summary: A beautiful adventure
Review: This movie, which I saw for the first time in 1971, changed my life forever. From the first moment of the film, I was struck by the stunning Afghan scenery. Over the next three years, I visited Afghanistan three times. It was a fantastic adventure, like a voyage in another time, on another planet. Since then, I have not stopped travelling in this part of the World. The film is based on Joseph Kessel's (1898 - 1979) novel, "Les Cavaliers," written following his travel throughout Afghanistan in the early 60's. Kessel is, in the tradition of Saint-Exupery, Malraux, Pierre Mac Orlan, and Hemingway, an adventurer, journalist, globetrotter, and great writer, a man who tried to make the novel "the privileged expression" of the "lived" adventure. The movie, filmed for six months in Afghanistan, and then in Spain, in 1969-1970, was directed by John Frankenheimer. The picture cost $4.5 millions. Screenwriter Dalton Trumbo recognized there was no need to embellish Kessel's fantastic adventure, and faithfully followed the book's story line. The action takes place on the vast plains around Maimana in the northwest of the country, across the forbidding Hindu Kush, and in Kabul. Although the scenery and characters are timeless, the sight of a high-flying jet during a scene subtly establishes the movie's time period. The drama revolves around the "mad horse," Jahil, with its almost human presence. Uraz (Omar Sharif), son of the great "chapendaz" Tursen (Jack Palance) is to ride Jahil, Tursen's latest prized white stallion, in the great "buzkashi" of the King, in Kabul. The Afghan national game of "buzkashi" dates back to the time of Ghengis Khan. In this fierce competition, played on the northern steppes by expert horsemen, everything goes. Hundreds of "chapendaz" horsemen independently compete to grab and carry the carcass of a goat or a small calf to the circle of justice, outlined on the field.
If Uraz wins, Jahil is his to keep. How can he not win? "If you cannot win on Jahil, you cannot win on any horse," says Tursen. Uraz, like his father before him, is now the most famous "chapendaz" in the "three (northern) provinces." Nevertheless, his quest for glory seems endless, as an inner demon keeps driving him to surpass both his father and himself. An old lady in the bazaar says of him, "If you wager him for glory, you will lose. If for money, you will win." At the "buzkashi" in Kabul, Uraz will know defeat. He not only loses the game, but his leg is fractured. His life lesson about pain and hate begins as he returns to Maimana, vanquished, prouder, more resolute, and crazier than ever. Uraz has the choice of two roads to return to Maimana: the relatively easy road across the terrible Hindu Kush Range, through the Salang Pass, the World's highest pass at 10,000 feet, or the dreadful "old road," running through the Unai and Hajikak passes, both also near 10,000 feet, Bamiyan, followed by more high passes, before finally arriving on the northern steppes. Of course, Uraz chooses the "old road," challenging himself to the limit, in order to redeem himself in his own eyes, and also those of his father. For all his toughness, his father had never traveled that road. As if the "old road" was not challenge enough, Uraz, whose fractured leg is fast becoming gangrenous, tempts his sais with a pact that involves ownership of the magnificent Jahil. Following his master, his good "sais" (groom), Mokkhi (David de Keyser), meets with love in the arms of the beautiful "untouchable," Zareh (Leigh Taylor-Young), but also experiences greed, a taste for murder, and a pitiful downfall. Zareh, as beautiful as she is devious, inspires Mokkhi to murder and destruction. She is herself tormented by "the horse": "Do you know, great Prince, what brought me to you that first night?...it was the horse." Along this endless "old road," the trio each confronts the worst in themselves, and arrive at their destination perverted and lost. There is also the mysterious and likable character, Hayatal (Peter Jeffrey) with whom Uraz will eventually continue wandering the steppes. The stunning cinematography is the result of the collaboration of the disinguished French cinematographer Claude Renoir (of the artistic lineage,) Andre Domage, and James Wong Howe. They give an accurate taste of the beauty of the rugged Afghan country and of its people. In particular, the remarkable sequences of the "buzkashi" of the King, in Kabul, and the flashback of Tursen's "buzkashi" through the great open steppes of the north, are worth the admission by themselves. There are also actual scenes of organized fights between camels, rams, and partridges (the Afghans are big gamblers). The casting of westerners as principles may seem strange at first, until one remembers that there were neither TV nor movies in Afghanistan, in 1970, and therefore no Afghan actors. Frankenheimer wanted Yves Montand or James Garner for the lead, but learning that he was an expert rider, chose Omar Sarif instead. The "buzkashi" scenes required 25 days of shooting. Of course, Sharif had to appear in some of these scenes, but the "chapandaz," impressed by his superior riding, unobtrusively "chaperoned" him through the most dangerous moments. Omar Sharif gives one of his best, if not the best, performances ever. On the other hand, Jack Palance was not skillful enough to ride in the mayhem of the game, and required an Afghan rider stand-in for these sequences. However, with his both feet on the ground, Palance's presence on the screen is overwhelming. As I traveled through the northern provinces of the country, I must have met two or three Palances, and as many Sharifs. By some extraordinary coincidence, Leigh Taylor-Young also bears a strong resemblance to the now famous "Afghan girl," who appeared on the front cover of the National Geographic Magazine, in 1984. Physically at least, the choices for the leading characters were fortunate. The renowned French composer Georges Delerue (more than 47 film scores) wrote the music, remarkable in its lyricism and romanticism, which integrates itself perfectly in the film. "The Horsemen" is a stunning film, inspired by epic adventure and timeless conflicts which, given the present condition in Afghanistan, I am afraid can only now be experienced in an armchair.
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