Rating: Summary: Compares with Final Draft Review: Choosing screenplay software for me comes down to Final Draft and MM Screenwriter 2000.Final Draft looks and feels a little more professional, but MMS 2000 has some features that are a little better. For example, MMS 2000 has a nice little "automatic scene bookmark" feature that allows you to use a single button click to navigate to any scene in your script. Nice. FD has bookmarks, but you have to create them all yourself. Both products have an index card feature that allows you to view your script in outline format. MMS 2000 allows you to make edits to the script while in this format. FD does not. Its also easier to move scenes around in MMS 2000. Its a little clumsier in FD if you're moving a scene say, from the beginning of the script to the end. But which to pick, you say? In the end, I still like FD better. The beauty of these products is that they race to copy each other, much like Netscape and Internet Explorer used to back in the day. Whichever features one has, the next version of the other is also sure to have.
Rating: Summary: not as easy as they make it sound! Review: For years, I used to use Microsoft Word to develop all of my scripts in. While it could be done, it wasn't the best nor the easiest way to do it. I had always put off buying specialized software to do something that but the problem is that I spent more time formatting and paginating my scripts than I did writing. Finally, I decided to break down and buy scripting software. But before deciding on which one to buy I did a little research on the titles that were currently available. I wanted to make sure I got the best product for the right price. What ultimatly sold me on Movie Magic Screenwriter 2000 was that both the Writers' Guild of America and Project Greenlight both recommend this software. One of the claims made by the software company is the ability to get up and running right out of the box. I found this to be--for the most part--true. Upon receiving my copy, I was entering my first script in about 30 minutes (including installation time). There are some things that you may need to know, but the software company was intuitive enough to add booklets that contain this information in it so that you didn't have to hunt through the manual. There are also a nice collection of templates included with the software that allows you to write for both movie and television (like I do). The templates for the TV shows comes in many different flavors (Sci-fi, sit-coms, dramas, etc.) and are even set up in the format used by several different shows. What I especially appreciated was the fact that Screenwriter 2000 kept track of the names of my characters. I used to have to do this on scratch pads and Post-It notes or I would have to read back in the script to find a name. In Screenwriter 2000, I can call up a list of names to find the one I'm looking for. I'm able to do the same thing with scene heading, so I can keep my scenes in a consistant format. Since I post some of my work on Zoetrope.com for review by other writers, the fact that I can create an Adobe file (.pdf format) was also of importance to me. While I could use a translation program to turn my Word document into an Adobe file, such translators have their problem and don't always retain the format that you created. With Screenwriter 2000, my Adobe documents come out looking the same as the original file. But this feature wasn't as intuitive as I had thought it would be. I was expecting this feature to be a part of the file exporting system. Instead, it's part of the print function. (You "print" a .pdf file.) While there are a lot of pros about the software, there were also several cons, which is why I only rated it four stars. One is that this software is set up to installed on both the Mac and the PC from the same box. Becuase of that, they designed the user manual to address both opperating systems by printing it as a flip book. (One side has the instructions for the PC--flip the book over--the other side has the instructions for the Mac.) This means that the index is in the center. If you use an index as often as I do, plan on placing a bookmark there. Another problem is that not all of the features available to the PC user is available to the Mac user. As of this review, only one feature--the Storyboard Linking--was not available on the Mac. However, this should be of little consiquence to the average user (unless you're a professional writer in Hollywood with a Mac). Finally, one feature that was touted to me time and again was the voice readback capability. By using a Text-to-Speech engine, you can have your script read back to you, even to the point of assigning different voices to the different characters. It took a little effort to get this feature working on my PC, and when I did it sounded like a room full of Stephen Hawkings reading my screenplay. Still, as softwares goes, this is possibly the best product out on the market.
Rating: Summary: Good script writing software. Review: For years, I used to use Microsoft Word to develop all of my scripts in. While it could be done, it wasn't the best nor the easiest way to do it. I had always put off buying specialized software to do something that but the problem is that I spent more time formatting and paginating my scripts than I did writing. Finally, I decided to break down and buy scripting software. But before deciding on which one to buy I did a little research on the titles that were currently available. I wanted to make sure I got the best product for the right price. What ultimatly sold me on Movie Magic Screenwriter 2000 was that both the Writers' Guild of America and Project Greenlight both recommend this software. One of the claims made by the software company is the ability to get up and running right out of the box. I found this to be--for the most part--true. Upon receiving my copy, I was entering my first script in about 30 minutes (including installation time). There are some things that you may need to know, but the software company was intuitive enough to add booklets that contain this information in it so that you didn't have to hunt through the manual. There are also a nice collection of templates included with the software that allows you to write for both movie and television (like I do). The templates for the TV shows comes in many different flavors (Sci-fi, sit-coms, dramas, etc.) and are even set up in the format used by several different shows. What I especially appreciated was the fact that Screenwriter 2000 kept track of the names of my characters. I used to have to do this on scratch pads and Post-It notes or I would have to read back in the script to find a name. In Screenwriter 2000, I can call up a list of names to find the one I'm looking for. I'm able to do the same thing with scene heading, so I can keep my scenes in a consistant format. Since I post some of my work on Zoetrope.com for review by other writers, the fact that I can create an Adobe file (.pdf format) was also of importance to me. While I could use a translation program to turn my Word document into an Adobe file, such translators have their problem and don't always retain the format that you created. With Screenwriter 2000, my Adobe documents come out looking the same as the original file. But this feature wasn't as intuitive as I had thought it would be. I was expecting this feature to be a part of the file exporting system. Instead, it's part of the print function. (You "print" a .pdf file.) While there are a lot of pros about the software, there were also several cons, which is why I only rated it four stars. One is that this software is set up to installed on both the Mac and the PC from the same box. Becuase of that, they designed the user manual to address both opperating systems by printing it as a flip book. (One side has the instructions for the PC--flip the book over--the other side has the instructions for the Mac.) This means that the index is in the center. If you use an index as often as I do, plan on placing a bookmark there. Another problem is that not all of the features available to the PC user is available to the Mac user. As of this review, only one feature--the Storyboard Linking--was not available on the Mac. However, this should be of little consiquence to the average user (unless you're a professional writer in Hollywood with a Mac). Finally, one feature that was touted to me time and again was the voice readback capability. By using a Text-to-Speech engine, you can have your script read back to you, even to the point of assigning different voices to the different characters. It took a little effort to get this feature working on my PC, and when I did it sounded like a room full of Stephen Hawkings reading my screenplay. Still, as softwares goes, this is possibly the best product out on the market.
Rating: Summary: The best screenwriting software available Review: Having used Final Draft 5 and 6 succesfully, I was horrified by the mess that is Final Draft 7. If you do use Final Draft, I would recommend sticking with those two previous versions. I switched to Movie Magic and found it to be much more stable, and full of great features. Writing just seems more intuitive as formatting is the program's job and not yours. The tech support was free and the gentleman who assisted me was very patient with a techno cavemen like myself. I believe that Movie Magic (along with Dramatica) will take my writing to the next level.
Rating: Summary: Professional's tool Review: I am both a working screenwriter and script supervisor. I use Movie Magic Screenwriter for both those jobs. Its an excellent, straight-forward, and cleanly built program for formating and writing professionally styled scripts. Compared to Final Draft Movie Magic's formatting simply looks cleaner - with more accurate and useful spacing, sluglines, and transitions - and is far easier to use. Now this doesn't mean it will teach you how to write or what to write, but it does mean what you do write will at least look good. Minor problems I've had and things that could change for the better...Screenwriter is a tad unstable with Windows XP and occasionally crashes at start-up (although I have yet to lose a file because of that). Some of the production tools - like scene numbering and CONTINUEDs - are buried deep in the program and not the least bit easy to get to. Also they still have annoying and non-standard formatting in there sluglines and transitions. For instance you can select Continuous and Moments Later for a time portion of your slugline. Any oen that works in production knows that there is no Continuous or Moments Later. Simply either DAY or NIGHT. For transitions they still have CUT TO which is no longer used. Aside from those minor things Movie Magic is an excellent script writing program.
Rating: Summary: not as easy as they make it sound! Review: I am just getting started using the program so I can not yet judge the overall product. I can tell you that the product description said: just load the software and you will be writing scripts in minutes regardless if you are a first timer or a pro. That is a stretch. I had to get a tech guy to load the program and then it really is not walking me through the "how to" part of script writing. Just be prepared to spend some time at the beginning.
Rating: Summary: The Best Screenwriting Software! Review: I love this product. It is a full-featured, infinitely customizable program that lets you forget formatting rules and focus on the important thing: your script. Final Draft may have a better user interface, but MMS 2000 is fast, powerful and very easy to use. I can't say enough good things about it. Download a free demo and see for yourself. This is the best!
Rating: Summary: Sorry... Final Draft is better... NOT Buggy Review: I tried this and Final Draft side by side while evaluating what to buy. Final Draft is just less buggy and more professional. Movie Magic pops the cursor around the screen after an operation. It also has these windows 3.1 looking interface windows. The speech system is too dependent on windows and not self contained like Final Draft. True, there is more customization with Movie Magic... but I like Final Draft MUCH better. Run them next to each other and u will see. Mike
Rating: Summary: Sorry... Final Draft is better... NOT Buggy Review: I tried this and Final Draft side by side while evaluating what to buy. Final Draft is just less buggy and more professional. Movie Magic pops the cursor around the screen after an operation. It also has these windows 3.1 looking interface windows. The speech system is too dependent on windows and not self contained like Final Draft. True, there is more customization with Movie Magic... but I like Final Draft MUCH better. Run them next to each other and u will see. Mike
Rating: Summary: Makes the act of film creation a breeze Review: I've been using this product for about a year and it's about as easy as a program like this gets without sacrificing its professional end product. It's a cinch to learn, with easy fast-keys, a WORD-like interface, and a ton of features you may never get to. Great for plays, video game scenario building, etc., but its strength clearly lies in screenplay creation. All I have to do is think of the story I want to tell, know a few choice commands, and I'm flying with this program. Great paper tutorial and a reasonable price for this type of program.
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