Rating: 
Summary: Beautifully designed
Review: Design and construction is first class. I use it as a "point and shoot" - but it is fully equipped to handle heavy pro work. Flip-down shoulder brace, variable speed zoom and excellent mike are great features. Can't say enough about the quality of workmanship.
Rating:
Summary: Beautifully designed
Review: Design and construction is first class. I use it as a "point and shoot" - but it is fully equipped to handle heavy pro work. Flip-down shoulder brace, variable speed zoom and excellent mike are great features. Can't say enough about the quality of workmanship.
Rating: 
Summary: I returned mine
Review: For high-end amateur applications, I returned my XL1 in favor of the Sony DCR-VX2000. The XL1 image quality is superb; however, the image quality of many less expensive cameras these days is so impressive that after shooting a lot of test video at various lux, close-up and zoom scenarios I was hard pressed to see *any* difference between the XL1 and my Panasonic DV600 and Sony PC-5.Online reviews typically give XL1 and Sony VX2000 image quality equal ratings. Although my XL1 was manufactured in August 2000, the model itself appears to be a couple of years old and lacks some of the Sony's electronic features and an LCD viewfinder. I was also disappointed in the XL1 still photo quality. Most Sony models perform much better in this area. The XL1 zoom motor is so loud as to interfere with sound recording, and the manual zoom apparently invokes a proxy mechanism rather than controlling the zoom directly, resulting in a latency which is perceived as lack of responsiveness. Several online DV sites mention rumors of a Canon XL2. I wouldn't be surprised to find that the XL1 is near the end of its product cycle.
Rating:
Summary: This is not a toy!!!
Review: I have owned one of these for over a year and a half and love this thing. I work at a full digital TV station with a the latest equipment and the first thing I did was do a side by side comparo against a ...Panasonic DVCPRO broadcast camera. The technicians and cameramen were shocked at the image being equal to their cameras. When we explored the camera further and found the ability to also use the ANTON BAUER battery packs it only got better. They looked at the lens quality and lens swapping ability, plenty of manual setting available for video and audio, hundreds of accesories for the proshooter, and the frame mode made it shine brighter in their eyes. The general manager and chief engineer evaluated the camera and said at the same time "imagine what this could do for our budget!". I use this camera for personal use and have also used it for news gathering, Many requests from the news department have come my way to go on a shoot due to lack of cameras. If you are looking for a camcorder to have many bells and whistles, this is not for you. This is a serious tool. I have read reviews where it dosent take very good still pictures, it lacks the LCD viewer!, It wont shoot in total darkness or see through womens clothes. They forget serious shooters have a main priority in their camera and that is the choice of different lenses. No current consumer camcorder has a interchangable lens system. Something to remember many tools have the ability to do many tasks but they never exceed at one. The Canon XL1 EXCEEDS at shooting video to a professional level....
Rating:
Summary: Canon has the best optics, color, and overall look...
Review: I have used this camera at a few weddings, along with a Canon GL1, and I personally own a Canon Optura. I have also used a Sony TRV1000, and TRV20. First off, let me mention that progressive scan is absolutely incredible. I can no longer stand the home-userish look of interlaced video. What progressive scan (or "frame mode") does is it takes 30 full frames per second. Interlaced records 60 FIELDS per second, creating a supposed 30 fps (giving it that unrealistic, slimy-smooth motion like a home Hi8 camera). What FULL frames do is make it have a somewhat "jerkier" effect which gives the footage a much more film like look. It's beautiful, you've got to see the difference side by side, sometime (or just switch between interlaced and frame on the XL1, or some other Canon). The Color: There are many sites with side by side comparisons of the XL1 and the VX1000 (perhaps the VX2000, too). The thing is, there is no comparison. Sony's lenses lean toward the blues, giving it a very cold, unnatural feeling (not to mention interlaced un-naturalness!). The blueness is so apparent, that at times you must add color corrections, wasting time in post. Canon leans towards the reds, giving it a much warmer, more realistic coloring, and shading. But, what do you expect? Canon has been in the business of lens making for a long time. Who ever heard of Sony making a 35MM cinematic lens? Yes, some Sony cameras have Carl Ziess lenses, but they still have the blue tint to it. In fact, those are the lenses I was speaking of earlier as being cold, and blue. Optical Stabilization: The stabilization is incredible to see when zoomed all the way! There is virtually no visible shake, whatsoever. Of course, this does not replace the rock solidness of a tripod shot... but for handheld work outdoors, it is indispensable. Some people have mentioned that when shooting a tripod shot across a canyon or some such thing, that it tends to "stick." All you have to do when shooting tripod shots is simply turn off the image stabilization. All that, and the ability to control the shutter speed, the aperture, the exposure, the focus, the ability to change lenses... even to 35MM Canon EOS lenses (with an adapter)! All these things and much, much more make this the camera to own. I would take it over a $15,000 interlaced beta cam any day (unless I could sell that camera, and buy a few XL1s!;). This camera is highly recommended be me. Canon even made a commercial with it ... for their ZR10! Buy today, you won't regret it (and no, I don't work for Canon:). If you're just considering buying a MiniDV camera, but can't afford this one, still, go Canon. Most of them have a lot of the of the same features (GL1, and Optura), or slightly dumbed down HIGH quality home cameras that still have progressive scan (Optura Pi, Elura, Elura 2).
Rating:
Summary: Best Camera At Any Price
Review: I've used Digital Betacam that isn't as nice as this puppy. Recently shot behind-the-scenes at an Indy Racing League event, and this camera easily kept up with the 220+ racecars. I can't say enough nice things about this camera! The only negative... I think it could be a little more comfortable to shoot with. Get a better shoulder brace or the balanced audio input, the Balanced Audio adaptor makes a better shoulder pad than the standard one... and gives you better sound quality to boot! That's saying a bunch cause the standard mic is pretty damn fine!
Rating:
Summary: Best Camera At Any Price
Review: I've used Digital Betacam that isn't as nice as this puppy. Recently shot behind-the-scenes at an Indy Racing League event, and this camera easily kept up with the 220+ racecars. I can't say enough nice things about this camera! The only negative... I think it could be a little more comfortable to shoot with. Get a better shoulder brace or the balanced audio input, the Balanced Audio adaptor makes a better shoulder pad than the standard one... and gives you better sound quality to boot! That's saying a bunch cause the standard mic is pretty damn fine!
Rating:
Summary: Quality at it's best
Review: The Canon XL1 is a great piece of equipment. My company uses this very same camera to do most of our commercials. Since its got such great graphic quality (~360,000 pixels per frame) and can capture at high speeds, its the clear choice for our high-speed shooting. The sound quality and zoom on the mic is also incredible. If youre still not sure on buying it, I suggest you find a local video or camera store and rent and play with one for a day, its a tremendously worthy investment...
Rating:
Summary: Quality at it's best
Review: The Canon XL1 is a great piece of equipment. My company uses this very same camera to do most of our commercials. Since its got such great graphic quality (~360,000 pixels per frame) and can capture at high speeds, its the clear choice for our high-speed shooting. The sound quality and zoom on the mic is also incredible. If youre still not sure on buying it, I suggest you find a local video or camera store and rent and play with one for a day, its a tremendously worthy investment...
Rating:
Summary: The best camera for the bucks!!
Review: The Canon XL1 is an amazing camera to shoot with. The picture quality is awesome and the audio is sweet. The camera is sleek and professional looking, people take you serious when you go out on a shoot with the "Big Boys." You get the same respect! If I had to buy another camera it would be the Canon XL!!
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