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Rating: Summary: It`s a triller, not a sci fi movie. Review: In general it`s a little bit bouring, it`s not a scifi movie like others in his time. It`s more like a police suspence and triller.Just if you do`n`t have any more to do......
Rating: Summary: Mainly for "Hammer" completists Review: Inspired by the success of the American science fiction movie "Rocketship X-R", Hammer Films decided to produce the first British science fiction film since "Things to Come" (1936). "Spaceways" is in no way comparable to those two films. After a heavy-handed exposition the film unravels to be only a modest little crime story with a space sequence as special twist. It seems that the budget was very small. The film-makers opted to combine real footage with F/X-shots, which is quite problematic. During the climactic spaceflight the camera stays within the interior of the capsule all the time. Fisher did not even attempt to solve the problem of showing zero gravity. You even get to see more in "Nude on the Moon" (Hey, I mean special effects!). The script is quite slow and far too talkative. It was based on a radio play and it clearly shows. Director Fisher displays a fairly good craftsmanship, but this film is not in the least as effective as his later gothic horror movies that became the trademark of Hammer. Nevertheless, I think he made the film as effective as the screenplay and the budget allowed. Moreover, the supporting cast is quite well. Combined with Fishers skills they prevent this film from being campy.
Rating: Summary: Mainly for "Hammer" completists Review: Inspired by the success of the American science fiction movie "Rocketship X-R", Hammer Films decided to produce the first British science fiction film since "Things to Come" (1936). "Spaceways" is in no way comparable to those two films. After a heavy-handed exposition the film unravels to be only a modest little crime story with a space sequence as special twist. It seems that the budget was very small. The film-makers opted to combine real footage with F/X-shots, which is quite problematic. During the climactic spaceflight the camera stays within the interior of the capsule all the time. Fisher did not even attempt to solve the problem of showing zero gravity. You even get to see more in "Nude on the Moon" (Hey, I mean special effects!). The script is quite slow and far too talkative. It was based on a radio play and it clearly shows. Director Fisher displays a fairly good craftsmanship, but this film is not in the least as effective as his later gothic horror movies that became the trademark of Hammer. Nevertheless, I think he made the film as effective as the screenplay and the budget allowed. Moreover, the supporting cast is quite well. Combined with Fishers skills they prevent this film from being campy.
Rating: Summary: MISLEADING TITLE Review: This is a quality Image DVD. The image is sharp and crisp. There are a few trailers and a chapter index. This movie is not science fiction. This movie was marketed wrong and still is. The Amazon reviewer writes, "it's a strange mix..." There really is no mix. There's no space station and very little of the rocket. This is a murder-mystery plain and simple and I think a pretty good one. The acting is good and the story good.
Rating: Summary: MISLEADING TITLE Review: This is a quality Image DVD. The image is sharp and crisp. There are a few trailers and a chapter index. This movie is not science fiction. This movie was marketed wrong and still is. The Amazon reviewer writes, "it's a strange mix..." There really is no mix. There's no space station and very little of the rocket. This is a murder-mystery plain and simple and I think a pretty good one. The acting is good and the story good.
Rating: Summary: Hammer's first venture into sci-fi! Review: This tidy little murder mystery with a sci-fi setting features tough, gruff Howard Duff and beautiful, exotic Eva Bartok as star crossed lovers working together on the first attempt to put a satellite into orbit above the Earth. Duff and Bartok becomes the first man and woman into space when they have to rocket off to the satellite to prove his innocence in the murder of his wife and her lover, whose bodies are thought to be hidden on the satellite. The story is from a radio play by novelist Charles Eric Maine, who had two of his other works turned into movies--The Isotope Man became The Atomic Man and Escapement became The Electronic Monster. He had a penchant for writing Alfred Hitchcock-like murder mysteries with a science fiction flavor. And like Hitchcock's movies, Spaceways is rather slow paced and tedious at times, before the payoff comes, such as it is. Director Terence Fisher, in his pre-Frankenstein and Dracula efforts for Hammer Films, does a good job with what little he has-- a low budget and stock footage of German V-2 rocket launches, plastic spacesuits, and sparsely designed control room sets. It all works pretty well, though, because of the fine cast. This DVD features excellent image quality and sound, a chapter index, and the theatrical trailer, and that's it. Recommended mostly for fans of Eva Bartok and early British sci-fi.
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