Rating: 
Summary: Can I give it 6 stars?
Review: Filmmaking at it's absolute best, truely what all directors, screenwriters and actors should aspire to. A lot of people say that "The Return of the Jedi" was the best of the original Star Wars Trilogy, but I can honestly say that The Matrix Revolutions provided an even better and more fulfilling finish that that masterpiece. Purchase this, because it's sure to enter the pantheon of great science fiction films, and you're likely to find yourself watching it again and again!
Rating:
Summary: REVOLUTIONS: The MetaSaga Concludes!
Review: The beginning scene of 'The Matrix Revolutions' initially parallels that of its illustrious predecessors: a torrent of falling code fills the screen, representational symbols trickling down from a higher 'source' to the innumerable mediaverse-enslaved masses below. Then, abruptly, the code vanishes and the screen explodes with golden fractals, revolving the mathematical patterns of the universe itself. After this moment of celestial concentration, we return to the symbols, which form a dual '7' before revealing the skyscraper gridlock of the Matrix's main hub; the camera pans away to expose the ritualistic design of the nucleus: a daemonic glyph, symbolizing the oppression inherent within this vast energy-siphoning illusion-prison. The glyph is quickly subsumed in the rain of code, lost amidst so much sprawling cipher - yet still there, beneath the surface, controlling the overall construct. In my Amazon review of the Matrix Reloaded, I called the second film a "clockwork onion" due to its tightly woven core of theme, plot-twist and multiple subtext, with more and more layers stripping away once the viewer made a conscious effort to penetrate the surface-pleasures of melodrama and CGI impossibility. *The Matrix Revolutions*, though more overtly spiritual than cerebral in its references and replay-benefit, continues this innovative story-form, climaxing the rising war between man and machine and giving satisfying conclusion to the multiple arcs incorporated in the first two films. The answers are here, but they are not in any way _obvious_; often a subplot or mystery is resolved by a few words of dialogue or a visual cue. Like the preceding films, *Revolutions* is a riddle wrapped in onion-layers of ambiguity, and what one puts into the film - negative or positive, intellectually or instinctually - will be what one derives from it in turn. The Story: Revolutions begins right after Reloaded cut off. Trinity learns that Neo is trapped in the Matrix. She must commence her mythological hunt, fighting through Hel itself to confront his captor. Zion, meanwhile, establishes its defense against the incoming sentinel army, equipping rank after rank of brutally efficient Mechs to combat the encroaching machines. The people of Zion aren't going to be exterminated without a fight, and man, woman and child shall battle to their dying breath to preserve the last human refuge. The Spectacle: The Battle of Zion is easily the most powerful and epic sci-fi carnage extravaganza this side of Hoth. Intense and very long, it lashes the nerves with incredible imagery and an astonishing command of sound - the snubbing of *Revolutions* at the Oscars (not even a friggin' nomination!) just goes to show that there ain't no (aesthetic) justice in this world! As for the Superbrawl... what I loved most about this sequence is the combination of metaphor with violence: the truest "clash of the titans" ever committed to film, in both overarching theme (0/1, the Dance of Shiva) and pure popcorn impossibility. Of course, the meme was out on Revolutions, even before its general release, and the movie was quickly dubbed a 'failure', a 'dull cacophony,' a 'dismal, smoldering franchise-ruin' as professional critics leapt en masse at the chance to rip the film, complaining paradoxically of its 'confusing nature' and its 'hollowness,' all in all reminding me of reactions to other, similarly revolutionary artists: of the famous critique of 'The Abduction from the Seraglio': "Too many notes, my dear Mozart;" of an 18th century news-rag proclaiming Beethoven's 'Pastoral' Symphony to be "profoundly unsatisfactory" (!); of Stravinsky causing a literal riot with the unveiling of his pagan masterpiece The Rite of Spring (...not unlike the reaction to Revolutions at a certain New York premiere, from what I've heard). How times change, how they stay the same! Genius *challenges* the craft, and is *always* attacked for its ambition. Case in point: the Matrix trilogy has been reviled for its cold, cerebral cinematic approach, roasted on the critical coals for _daring_ to investigate the basic quandaries of philosophy and paradigm-structure; even if the W. bros. don't succeed one hundred percent of the time, there seems to exist a "glass half-empty" mentality about the attempt - absolute perfection or utter failure, no middle-ground whatsoever - and all of it sounding like the upset bleating of the under-educated and/or those unwilling to make any serious undertaking into the sources the W. Bros. reference. Regardless of such sour grapes, these movies are here, and here to stay. As a society we need more intelligent, thought-provoking films: happily, the law of cultural megamass predicts more and more sophisticated measures of communications to come. But there is always resistance to change. Thus the negative miasma that surrounded *Revolutions* upon release: a desperate-sounding din of the "paid opinion" eagerly competing with one another for the snappiest put-down, the catchiest one-liner, cloaking profound ignorance with clever superficiality. Well, whatever. What I enjoy most about The Matrix franchise are the multiple levels of humanistic conception interwoven with the pulp action and solemn drama (this is a war movie, after all). Truly a _world_ blockbuster, *Revolutions* incorporates the core elements of every major belief system, subtly exposing how the myriad 'ways' of spiritual ritual point towards the same goal, the same construct of perceptive *need* and *fulfillment*. More than ever before in our history, these similarities must be recognized and accepted, or our species will be reap the catastrophic seeds realized by last centuries' technological advancements. The message of *peace,* of attempting a mutual-beneficial relationship with our neighbors, must be at least attempted if we are to advance into a prosperous future. In short: This trilogy is the first cinematic mythology of our viral "post"-modern era, a mirror-reflection of our crazy careen into the murky depths of the 21st century...and as for those last few moments, so beautiful and so, so misunderstood... I was awestruck by the masterful blend of Hindu cosmology at its new-epoch threshold with the theme of symbiotic evolution, the necessity of reciprocal growth. Absolute genius. The Matrix Revolutions: for those of open perception and/or unquenchable curiosity, a MetaSaga for the ages. 10 stars.
Rating: 
Summary: Unpleasantly bassy
Review: I wasn't expecting much from the story, but at least expected a great audio/video experience. I was 2/3rds right. The story is stupid and special effects are great, but the audio is very poor. There is just way too much bass throughout the entire movie. I think extra bass was added for speakers that can't reproduce bass very well. If you have a speaker setup that reproduces bass well, it just makes for an unpleasant listening experience and requires tweaking of your receiver.
Rating: 
Summary: Would give ZERO stars if only it were possible...
Review: I find it hard to put my feelings regarding this movie into words. But here's a try: disgusting, revolting, frustrating, completely unfulfilling, and wholly depressing. What could have and should have been an uplifting story of human perseverance and our ability to adapt and overcome great challenges instead ended with heavy-handed religious obligations and hollow compromise. I cannot begin to describe how horrible an atrocity this film was. So much promise, so much disappointment. Even the fabled special effects and fight scenes were puppet-like and predictable, leaving this film without a single redeeming quality.
Rating:
Summary: Best Sci Fi Trilogy of all Time!
Review: Matrix Revolutions is a completely satisfying finale to the finest science fiction trilogy ever! I only wish there would be more...I hated for it to end. Revolutions begins exactly where Reloaded left off...in fact, both were actually filmed together and I think it's best to view them one after another. 30 years ago I was entranced by Star Wars...I can still remember eagerly waiting for the sequels. I watched them so many times I could quote every line. The Matrix trilogy is better than Star Wars...better acting by far, better story, better special effects, better in every respect. This superb finale to the trilogy surpassed even the first two in its special effects and overall splendor. Best of all, you finally get to the bottom of what The Matrix is and who Neo is. The resolution of all the loose ends comes together perfectly. Maybe 30 years from now there will be a better sci-fi trilogy, but until then I am satisfied that I've seen the very best production possible in our day!
Rating:
Summary: Definately worth the $15 for your DVD collection
Review: I admit I was one of the people who waited in line for hours to be one of the first to see it in the theaters. Yes, I built this movie upto expectations that could never possibly be delivered. My first viewing left me excited I watched it, but a little confused. It wasn't until the next night ;D that I can honestly say this was my favorite in the trilogy. Just as the original, the movie works on many different levels. However, the wording can be cumbersome when trying to take it all in the first time. I believe I spent the entire first viewing concentrating on what the "true" meaning of the movie is and wasn't able to truly enjoy it. I'm not going to waste your time with a play by play on the film. You can get a synopsis anywhere. What I do want to say, is myself (an avid fan) and my fiance (a person dragged to the movie) liked the movie at least 10x better the second viewing. This is a movie with limitless playability. That in itself is difficult to find. If you were unsure you like the film you're first viewing, I promise it will move up high in your ranks the second. Hence, whether or not you thought this movie was the best thing since sliced bread, it should make it to your shelf. After my 5th replay, this movie is aging like fine wine...
Rating:
Summary: Climax to the greatest Trilogy of Our Time
Review: If you loved the 1st and 2nd... See the 3rd... If you Didnt like the 1st and 2nd........ See the 3rd Thats all i have to say... :D
Rating:
Summary: It's not as bad as RELOADED but neither is root canal
Review: At least this film trilogy is over. Of course it never really was a trilogy. With all the multimedia subplots left out of the films the second film was just a waste of time ,computer rendering and human viewing. When they decided to bring back Agent Smith for another slugfest they jumped the shark for the first time. When they had him cross over to the "real" world they jumped yet another shark.
This installment takes the bastardized logic of the original film to it's illogical seeming conclusion. Of course since the ending is ultimately another jump the shark moment and a let down ,it offers a coda to set up the online interactive game. Which should please the fanboys and fangirls who'd just love another infinite number of mindless slugfests instead of plot resolution.
Rating:
Summary: Forget the bad reviews.
Review: I got this the other day and i was worried if i was not going to like it as it got so much bad reviews. What are they talking about. This film is brilliant!
The special effects are still fantastic and the characters are still going strong.
This is very emotional and dramatic and at the same time there is still great action to enjoy. I have to say this is better than the second but nothing can live up to the first.
The one thing that disappointed me is the fight between Neo and Agent Smith. I feel this was over the top as they were just flying around in the air and it felt like superman. I did not like how they just made big great holes in the wall and the ground. It was a little stupid but was exciting to see the final battle between the two. At this point there is still great special effects.
I am sad to see it finish but i hope there will be more matrix in the future. I think this film gives the perfect ending. One to buy! (Watch out for the battle between the machines-Excellent)
Rating:
Summary: IGNORANCE IS INEVITABLE!
Review: Im SOOOOOO sick of these unintelectual people in the world RAVING & MOCKING one of the most mezmerizingly, dream-like & mind-blowing trilogies of our time! People take the most amazing things for granted. The Matrix Trilogy is a genuine master-piece, the Wachowski Brothers NEVER SOLD OUT, they made it EXACTLY how it was originally planned! & to all those who winge & cry like like a baby saying that the sequels feel different to part 1...OFCOURSE! They are supposed to! Part 1: Birth, Part 2: Life & Part 3: Death, thus these are what represent the feelings of each movie...(Notice how Matrix 2 it's just mayham, everyone doin there thing frantically trying to get all there missions done, left, right & center: THATS LIFE IN GENERAL, & notice how matrix 3 is alot DARKER & more evil & depressing than part 1 & 2: THATS REPRESENTING DEATH, THUS: TRAGEDY!!!) Yeah, its complex, but thats no reason to slag it off DAMMIT! & if u pass it off as "THIS IS WAK DUE TO IGNORANCE: Just die! Shouts out to the person who said this: {Superb Trilogy, April 12, 2004
Reviewer: A viewer from Anchorage, Alaska United States
What happens when you bring an intellectual movie trilogy to be viewed by the public? You get a bunch of unintellectual people criticizing the movie for its action e.t.c} Right on! Long live the king......
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