Rating: 
Summary: Mirror, Mirror... Who is the Scariest of All?
Review: This version of the classic story stars Sigourney Weaver and Sam Neill and is far from the cheery animated version you may be familiar with..Sam Neill plays Lillian's father. After the death of his wife he marries Sigourney Weaver. Things are fine at first but the aging Weaver begins to feel jealousy towards her step-daughter. She feels she is in competition for her husband's affections. With the help of her mysterious magic mirror (a frightening piece of furniture if I ever saw one) she begins making plans to be number one. But as Weaver makes her plans she also begins to sink into deeper and deeper madness as she eliminates the servants, her step-daughter and even her brother. But Lillian manages to survive and meets a band of outlaw miner's hoping to find a rich strike. She manages to win their hearts in time and eventually returns to challenge her step-mother. This is a very dark telling of the Snow White story. It is more tragic than many tellings in that the step-mother is mad and not evil. The girl who plays Lillian is excellent. Her ability to show powerful emotion with a single look really adds to the atmosphere of this dark film. If you are interested in seeing a good dark tale then Snow White could be just what you are looking for.
Rating: 
Summary: Grimmer than Grimm
Review: The cutesy Disney cartoon this ain't. Although the BASIC story structure remains, SNOW WHITE: A TALE OF TERROR is an interpretation that is much closer in tone and mood to the original somber tale by the Brothers Grimm, and in many ways it is actually even darker. Instead of a kiddie flick, then, what director Michael Cohn and crew serve up is a top-notch gothic horror film. In this gloomier version of the famous fable, many of the familiar elements are wryly skewed. For example, the seven men who house the heroine (here called Lilliana, or Lilli, rather than Snow White) during her sojourn in the forest are not cutsie dwarves--although one is actually dwarfish--but are instead a bunch of grubby, ruffians who earn their living working mines. At first they want to use the girl to obtain a ransom from her wealthy father, but they soon develop a sort of fatherly affection for her. Another clever twist occurs when the hero revives Lilli after she has fallen comatose from eating the cursed apple. Instead of awakening her with an enchanted kiss, he repeatedly pushes on her midriff out of desperation, thereby dislodging the piece of fruit with a sort of primitive version of the Heimlich Maneuver. Such changes in narrative and characterization are perceptively clever and make the tale much more realistic and believable than its animated ancestor. However, despite this deliciously sardonic tweaking, remaining at the story's core is its familiar and enduring moral, to wit, that basic goodness will always triumph over hatefulness and vanity because the latter are ultimately self-destructive. In the role of the wicked stepmother (as well as her evil mirror's reflection), Sigourney Weaver delivers a superbly malevolent performance as she schemes to destroy her beautiful stepdaughter. The lovely Monica Keena--most recently seen by horror fans playing the buxom Lori Campbell in 2003's FREDDY VS. JASON--does a very affecting job as the object of Weaver's disdain (i.e., Lilli), and Gil Bellows is very convincing and interesting as the hero and tacit love interest. Sam Neill does a fine job as the heroine's mostly clueless father, and the film's realism is further bolstered by outstanding supporting performances from talents like Brian Glover, Frances Cuka, David Conrad, Anthony Brophy, Christopher Bauer, and numerous others. With SNOW WHITE: A TALE OF TERROR, director Michael Cohn and scripters Tom Szollosi & Deborah Serra recreate the tenebrous tone of the Grimm Brother's original story while, at the same time, they subtly thumb their noses at the saccharine, white-washed Disney interpretation. Mike Southon's beautiful cinematography is deliberately on the warm side of the spectrum, generating a autumnal ambiance perfectly suited to the plot. And the creative art direction by Peter Russell, outstanding pseudo-medieval production design of Gemma Jackson, and clever "period" costume designs from Marit Allen and Charles Knode add detail to the film that greatly enhances both the spooky ambiance and the fairy-tale quality of this twisted fable. The DVD from Universal Studios Home Video offers a clean, crisp digital transfer in the original widescreen aspect ratio of 1.85:1. (Alas, it is only letterbox widescreen and not anamorphic, but it still looks beautiful.) The only real bonus feature is a trailer for the film, which curiously identifies it using one of its numerous alternate titles. The disc is very reasonably priced, though, so fans of old-fashioned gothic horror or grim Grimm fairy tales are hereby advised to add SNOW WHITE: A TALE OF TERROR to their collections.
| 
