Rating: Summary: A Pretty Good B-Movie Review: This review is for the movie itself, and not the dvd. I saw the movie for the first time this year, and I have to say I wasn't expecting much. I've read reviews of the film for its original release, and I thought I might hate it also. However, I was totally taken in by this film. Sure there are some scenes that you might laugh at, but the movie has enough in it to make you forget them in time. Even though you might be a fan of the game, and notice that this movie isn't at all like it, you still have give this movie a try. You might be surprised at it.
Rating: Summary: Stay Away Review: This was an awful awful movie. There was a reson it took so long for this title to reach North America. Because it sucks. The story makes absolutly no sense and the acting is terrible. I can't tell you about the special features because there aren't any which made it suck even worse. I wish I could give the piece of (...)0 stars. Be warned Stay Away.
Rating: Summary: booring Review: today i had just received my movie and watched it, and i was a bit disappointed. the movie was totally different than what i expected. its basically a love story and hardly any action and extremely dramatic. i thought the director could have given it a little more action and all but oh well. im sure the american version they are coming out with will be better. anycrap i give "Parasaito Ivu" three stars!
Rating: Summary: Interesting medical/sci-fi drama Review: Toshiaki Nagashima's opening lecture on mitochondria sets the premise of the movie. Basically, within a cell, mitochondria has its own DNA, and is critical in creating energy. Nagashima further states that mitochondria entered man as a parasite but became vital to humans and lived symbiotically. Nagashima's studies involve growing healthy mitochondria, insert them in cells diseased by cirrhosis or diabetes, and curing said cells. He is assisted in this by Sawako Asakura, a lab assistant working on her dissertation, on lab rats, and both are encouraged upon discovering that the livers of some rats have improved.However, the question arises, do mitochondria have an agenda of their own, despite the fact that they don't have enough DNA to be independent? And as a grade-schooler asks Asakura after she tells his class there are many helpful organisms inside the body, "Won't they try to control us when we get big?" The day of Nagashima's lecture also happens to be his first-year anniversary. However, he never gets to celebrate it. His timid and loving wife Kiyomi becomes involved in an accident that renders her brain-dead. He is totally shattered, insisting that she is still alive. Enter Dr. Yoshizawa, a surgeon who is desperately seeking a kidney donor to help a 12-year old girl, Mariko. Her body rejected the previous donor's kidney, but this time, Kiyomi's data is assessed, with positive compatibility results. Toshiaki finally agrees, on the condition that Yoshizawa gives him Kiyomi's liver. Yoshizawa is perplexed by this agreement, but eager to succeed with Mariko, agrees. The mystery begins when Mariko's new kidney begins acting strangely and she becomes alarmed by ominous liquid-like sounds burbling. And at first, Toshiaki's culturing his dead wife's cells seem like the act of someone who has snapped, but the further the film progresses, we see how much Kiyomi meant to Toshiaki. Unfortunately, things take a weird turn when Toshiaki examines one of Kiyomi's cell cultures. Hiroshi Mikami does great as a typical research scientist, forgetful and absent-minded at times, and the haunted look on his face in reaction to his wife's death, and his obsession in keeping her alive, is some pretty good acting. Riona Hazuki projects a fragile and gentle beauty as Kiyomi, especially in the scenes before her death and in the flashbacks we see when Toshiaki first meets her and is smitten. The title Parasite Eve has to due with Nagashima's lecture that we all get mitochondria from our mothers, and one can see "the mother of us all, the 'Eve' of mythology." Biology majors and students interested in biology may be interested in this not bad medical/sci-fi drama, which is leisurely-paced during the first half, but becomes more uptempo during the more suspenseful second half.
Rating: Summary: Interesting medical/sci-fi drama Review: Toshiaki Nagashima's opening lecture on mitochondria sets the premise of the movie. Basically, within a cell, mitochondria has its own DNA, and is critical in creating energy. Nagashima further states that mitochondria entered man as a parasite but became vital to humans and lived symbiotically. Nagashima's studies involve growing healthy mitochondria, insert them in cells diseased by cirrhosis or diabetes, and curing said cells. He is assisted in this by Sawako Asakura, a lab assistant working on her dissertation, on lab rats, and both are encouraged upon discovering that the livers of some rats have improved. However, the question arises, do mitochondria have an agenda of their own, despite the fact that they don't have enough DNA to be independent? And as a grade-schooler asks Asakura after she tells his class there are many helpful organisms inside the body, "Won't they try to control us when we get big?" The day of Nagashima's lecture also happens to be his first-year anniversary. However, he never gets to celebrate it. His timid and loving wife Kiyomi becomes involved in an accident that renders her brain-dead. He is totally shattered, insisting that she is still alive. Enter Dr. Yoshizawa, a surgeon who is desperately seeking a kidney donor to help a 12-year old girl, Mariko. Her body rejected the previous donor's kidney, but this time, Kiyomi's data is assessed, with positive compatibility results. Toshiaki finally agrees, on the condition that Yoshizawa gives him Kiyomi's liver. Yoshizawa is perplexed by this agreement, but eager to succeed with Mariko, agrees. The mystery begins when Mariko's new kidney begins acting strangely and she becomes alarmed by ominous liquid-like sounds burbling. And at first, Toshiaki's culturing his dead wife's cells seem like the act of someone who has snapped, but the further the film progresses, we see how much Kiyomi meant to Toshiaki. Unfortunately, things take a weird turn when Toshiaki examines one of Kiyomi's cell cultures. Hiroshi Mikami does great as a typical research scientist, forgetful and absent-minded at times, and the haunted look on his face in reaction to his wife's death, and his obsession in keeping her alive, is some pretty good acting. Riona Hazuki projects a fragile and gentle beauty as Kiyomi, especially in the scenes before her death and in the flashbacks we see when Toshiaki first meets her and is smitten. The title Parasite Eve has to due with Nagashima's lecture that we all get mitochondria from our mothers, and one can see "the mother of us all, the 'Eve' of mythology." Biology majors and students interested in biology may be interested in this not bad medical/sci-fi drama, which is leisurely-paced during the first half, but becomes more uptempo during the more suspenseful second half.
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