Rating: 
Summary: 'clanging rocks into sublime meditation' great phrase
Review: A wonderful film, made my christmas. is a bit hard to add anything that hasn't been said in these eloquent reviews already but this is the most perfect film about camaraderie ever made. realistic is an over used word but when the guard cuts through the prisoner's sausages with a knife that has just been used to cut soap it gives one a frisson of the restrictions prison puts on a human being, when the four prisoner's are sitting eating said sausage in their cell it feels like you are sitting right next to them. When one character talks about his wife another asks him if she squeezed his blackheads after sex, its these details that take this hypnotic escape drama to another level, for the mechanics of the film the other reviews are more informative, i do not have enough time to do them justice here.there is one breathtakingly surreal shot towards the climax of this film, gave me a thrill like all great suspense pictures and its effect is heightened by the fact that the camera until this point has been relentlessly trained on the 4 characters for the entire movie, it comes like a bolt from the blue. Brilliant movie, deserves to be ranked with Bresson's a man escaped, i can't think of any english language escape films that come close to these two. And of the two the more accesible is this one
Rating:
Summary: 'clanging rocks into sublime meditation' great phrase
Review: A wonderful film, made my christmas. is a bit hard to add anything that hasn't been said in these eloquent reviews already but this is the most perfect film about camaraderie ever made. realistic is an over used word but when the guard cuts through the prisoner's sausages with a knife that has just been used to cut soap it gives one a frisson of the restrictions prison puts on a human being, when the four prisoner's are sitting eating said sausage in their cell it feels like you are sitting right next to them. When one character talks about his wife another asks him if she squeezed his blackheads after sex, its these details that take this hypnotic escape drama to another level, for the mechanics of the film the other reviews are more informative, i do not have enough time to do them justice here. there is one breathtakingly surreal shot towards the climax of this film, gave me a thrill like all great suspense pictures and its effect is heightened by the fact that the camera until this point has been relentlessly trained on the 4 characters for the entire movie, it comes like a bolt from the blue. Brilliant movie, deserves to be ranked with Bresson's a man escaped, i can't think of any english language escape films that come close to these two. And of the two the more accesible is this one
Rating:
Summary: A GREATER ESCAPE
Review: Based on a true story, "LE TROU" is a 42 year old French thriller that is little known in the U.S. but is being (re)discovered by videophiles as a tense, sweat-inducing masterpiece. The plot is amazingly simple: Five guys in a prison cell awaiting trial, plot an escape by digging a hole ("le trou") into the Parisian sewers. The perfect black and white cinematography, the ultra minimalist plot, confined setting and shifting character relationships make this a kind of Zen noir meditation on the primal, universal, desire to be Free. Director Jacques Becker died shortly after this film was completed, and this is a fitting epitaph to a truncated prize-winning career. The film opens with a statement that removes all obstacles to suspending disbelief. Jean Keraudy, one of the real life participants of the events depicted in the movie, and an actor in the movie, says, "My Friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at the Santé prison." The thing that intrigued Becker was the ingenuity of the scheme and the courage of the undertaking. Three members of the original escape served as consultants and Keraudy himself plays the character Roland in the film. The suspense never lets up as we participate with these desperate, ingenious, meticulous, men as a collective force seeking freedom. There's a feeling of real time and no music score to enhance or detract. The DVD has no significant extras. The widescreen transfer is clean and sharp and the sound is crisp. It's in French with optional, easy to read subtitles and there's a six page booklet with two interesting essays. Thanks to Criterion, this great film has been plucked from obscurity, beautifully mastered, and is now finding the appreciative audience it deserves. Don't miss it.
Rating:
Summary: A GREATER ESCAPE
Review: Based on a true story, "LE TROU" is a 42 year old French thriller that is little known in the U.S. but is being (re)discovered by videophiles as a tense, sweat-inducing masterpiece. The plot is amazingly simple: Five guys in a prison cell awaiting trial, plot an escape by digging a hole ("le trou") into the Parisian sewers. The perfect black and white cinematography, the ultra minimalist plot, confined setting and shifting character relationships make this a kind of Zen noir meditation on the primal, universal, desire to be Free. Director Jacques Becker died shortly after this film was completed, and this is a fitting epitaph to a truncated prize-winning career. The film opens with a statement that removes all obstacles to suspending disbelief. Jean Keraudy, one of the real life participants of the events depicted in the movie, and an actor in the movie, says, "My Friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at the Santé prison." The thing that intrigued Becker was the ingenuity of the scheme and the courage of the undertaking. Three members of the original escape served as consultants and Keraudy himself plays the character Roland in the film. The suspense never lets up as we participate with these desperate, ingenious, meticulous, men as a collective force seeking freedom. There's a feeling of real time and no music score to enhance or detract. The DVD has no significant extras. The widescreen transfer is clean and sharp and the sound is crisp. It's in French with optional, easy to read subtitles and there's a six page booklet with two interesting essays. Thanks to Criterion, this great film has been plucked from obscurity, beautifully mastered, and is now finding the appreciative audience it deserves. Don't miss it.
Rating:
Summary: Klanging Rocks into Sublime Meditation
Review: Finally! Jacques Becker, one of the most underrated GREAT filmmakers ever, on Criterion DVD. "Le Trou" (the Hole) is a highly unconventional prison drama, a different variation on the 'honor among thieves' theme Becker used so effectively in his Rififi-Bob-le-Flambeur-inspiring-archetype gangster classic "Touchez Pas Au Grisbi." Here you get maybe the most Zen-like of all commercial cinema films, a radical departure from what Becker had done before in its restrained rather than extravagant style: 4 guys in a cell trying to dig a hole to freedom through a wall of rock, and THAT'S IT! But wait! This is REAL CINEMA, not the friggin' 'Great Escape'! Psychological complexity revealed through the camera that doesn't lie, as in EVERYTHING that goes on in their heads, not through any over-written dialogue, but by letting the cinema do the work: realistic reactions and gestures CAPTURED IN MAXIMUM REALNESS (of the slightly ramshakle French Prison variety, of course) from actors who have fully internalized these characters into an almost Robert De Niro level of Method Acting, without, I'm sure, being trained in any 'method nonsense' that would probably have confused the hell out of them unnecessarily (not surprisingly, one of them was a former inmate himself). Becker died tragically young right after the film was completed and was at the time married to the beautiful Algerian born French actress Francoise Fabian who later appeared most memorably in Eric Rohmer's classic "My Night At Maude's" as Maude. Truffaut and Godard and the rest of the French New-Wave directors who had just begun making their own films, inspired directly from the great, early, mostly anti-studio-system films of Becker (Goupi Mains Rouges, Antoine et Antoinette, Edward et Caroline, Rendez-vous in July) hailed "Le Trou" as an instant masterpiece and it has stood the test of time through the 40 years since, although very few Americans are familiar with it. "Le Trou" isn't my own personal favorite Becker film (I prefer Antoine et Antoinette & Rendez-vous in July), but it can justifiably be called his most accomplished: in fact, it can almost be called an avant-garde film in the way it klangs mercilessly on huge pieces of rock for long periods of time, as if a sublime meditation was in progress, and before you know it, you, the viewer are pulled into it: a laboratory experiment of the soul.
Rating:
Summary: YOU MUST WATCH THIS FILM!
Review: From first to last, this is a magnificent film. Its sense of immediacy is palpable, and the outcome is anything but assured: a real nail biter if ever there was one. Not suited to the generation weaned on television: there is no flash and dazzle, no love interest, and no score. What there is, however, is a magnificent display of unity in the face of adversity by men (Who wouldn't follow Roland through the fires of Hell, eh?) with `nothing to lose'. One of Criterion's less expensive DVDs, and a must have addition to anyone's collection.
Rating:
Summary: More than another "prison escape" film, much more!
Review: I really had (unfounded) doubts going into this DVD / film. I'm not sure why, perhaps because I've seen quite a few prison-escape type films (Alcatraz, The Rock, Stalag 17, The Great Escape, The Grand Illusion, The Shawshank Redemption) so I really didn't think there could be another, even though it came before most of the ones I mentioned, that could be that good. Well, I was happily surprised! This film is fantastic. Keep in mind that the director is very deliberate with the way he films scenes in that we see much more, the camera stays on the action much longer, than you might be used to. But this is a huge part of the overall effect and I think it works beautifully. I don't know about others but I really got a sense of claustrophobia while watching this film as so much of it is filmed "inside". I wish I could say more about it but I'm afraid of giving anything away. If you found yourself liking those other films I mentioned and you don't mind French dialog (perhaps you can play a dubbing track, can't recall) and black and white films, by all means check this one out - a bonafide cinematic classic!
Rating:
Summary: Believe the glowing reviews here
Review: I thought I had seen (or been aware of) every great film made. Then I saw THE HOLE. If you love WAGES OF FEAR, you'll love LE TROU. Comparing this masterpiece to other escape movies like THE GREAT ESCAPE (yes, Bresson's is an exception) is like comparing TAXI DRIVER to MANIAC COP 3 (Maltin,...).
Rating:
Summary: Believe the glowing reviews here
Review: I thought I had seen (or been aware of) every great film made. Then I saw THE HOLE. If you love WAGES OF FEAR, you'll love LE TROU. Comparing this masterpiece to other escape movies like THE GREAT ESCAPE (yes, Bresson's is an exception) is like comparing TAXI DRIVER to MANIAC COP 3 (Maltin,...).
Rating:
Summary: A superb entertaining crime drama, and a true work of art
Review: Jacques Becker's LE TROU (THE HOLE) is one of the most intense, powerful and thrilling crime movie in film history. Men--convicts--in a prison cell plot a dynamic escape by digging a hole (hence the title) in their prison cell. This is the basic plot of it, that's all. And the dramatic arena is naturally very limited; basically everything in a confinement of a prison. The actions are also mainly limited to the act of digging. By deliberately limiting his cinematic palette to bare-bone simplicity, Jacques Becker weaves out a complex web of human camaraderie and conflicts. You have to trust one another to commit this kind of escape, but at the same time, can you really trust these fellow inmates? All the dramatic ellements concentrate into this fundamental question about human relationship. And from there florishies a stunning, awesome drama of wild, strong men, naturally with the currents of their own vulnerabilities underneath, which quite often finds its way to burst in front of your eyes. A superb ensemble cast including some of the finest character actors in french cinema and one man who actually experienced this story (Jean Keraudy, who introduces the film as his own story) creates an extraoridinary psychological as well as physical realism. And the harsh, stark black&white cinematography can be easily pointed out as one of the highest achievement in attempting to create an imediate realistic experience as a cinematic imagery in film history. In one word, this is a must see film, a masterpiece. Both an entertaining crime drama, and a true work of art. *note: jacaues becker used to be assitant director to jean renoir in the 1930's, and appears into films such as Boudu Saved from Drowning and Grand Illusion
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