Rating: 
Summary: A superior, yet intimate portrait of an undercover cop
Review: Unlike many other films that have taken the undercover cop story and pursued it in a typical fashion, "Deep Cover" takes a tense, intimate approach. Director Bill Duke creates a quiet masterpiece casting Laurence Fishburne as a by-the-book cop assigned to infiltrate a major cocaine empire in Los Angeles. His connection inside is Jeff Goldblum (in probably his best performance ever), a supposed clean-shaven Jewish lawyer who secretly longs for the thrill of a gangster's life while trying to maintain a family at home. Duke does not glorify these drug dealers as Scarface-type millionaires who revel in money & mansions but rather paints them as quiet, suspicious businessmen who hold no true alliances to anyone while nesting in pool halls & boxing gyms. There is never a moment where any of these characters are seeking fame & fortune. Instead, they are looking for recognition of their power over both their friends & foes. Fishburne soon finds himself sucked into the dealer's life against his will, doing whatever he can to infiltrate the organization despite how far "deep" he's involved in it (as opposed to the cliche that the cop decides he likes being a drug dealer). Meanwhile, Jeff Goldblum also enters the chaos that's unraveling, learning to embrace the thug within him that was waiting to emerge. The film has the unmistakable look & sound of the early 90's (a good time in film & music if you ask me), but it has aged well due to sharp cinematography and a fine soundtrack. The film has a slightly distracting sub-plot involving Fishburne and a Christian cop played by Clarence Williams III, but Williams pulls it off with such conviction that you don't mind. There is also a great performance by character actor (and Spike Lee regular) Roger Guenever Smith as a switchy, mid-level dealer. Possibly one of the most overlooked "cop" films of the 90's, and a must-have for fans of Laurene Fishburne or Jeff Goldblum.
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