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Rating: 
Summary: They've done it again!!! Alas...
Review: Once more this group has published a marvellous showcase for Beverly Sills. As usual she bewitches with her commensurate artistry, her technical skill, her warmth and her ability to impart magic on the drama and humour required of this role.
Be warned, however:
1. It is sung in English. This removes the distraction of subtitles though it was strange at first hearing it performed in English!
2. The sound is poor. It allows the words to come through clearly enough (most times) but somewhere in the chain it was recorded at too low a level. Turn the volume right up and the underlying noise becomes apparent, obtrusive in quieter orchestral or recitative passages.
As a production it is competent and imaginative if a little lacklustre at times - one has to doubt that it would have made the international stage. Given its vintage, however, (1974) it is a document worthy of any operatic collection and certainly Ms Sills' fans will snap it up.
Rating:
Summary: They've done it again!!! Alas...
Review: Once more this group has published a marvellous showcase for Beverly Sills. As usual she bewitches with her commensurate artistry, her technical skill, her warmth and her ability to impart magic on the drama and humour required of this role.
Be warned, however:
1. It is sung in English. This removes the distraction of subtitles though it was strange at first hearing it performed in English!
2. The sound is poor. It allows the words to come through clearly enough (most times) but somewhere in the chain it was recorded at too low a level. Turn the volume right up and the underlying noise becomes apparent, obtrusive in quieter orchestral or recitative passages.
As a production it is competent and imaginative if a little lacklustre at times - one has to doubt that it would have made the international stage. Given its vintage, however, (1974) it is a document worthy of any operatic collection and certainly Ms Sills' fans will snap it up.
Rating: 
Summary: Comedy Opera At Its Best: A Must Have
Review: The most unfortunate aspect of this video is that it is sung in English and looses some of its charm in the process. Luckily, Beverly Sills has enough charm to more than make up for the English translation. She may not be quite as firm or sweet of voice as she used to be, but she sails through the scales, trills and breathtaking flights of coloratura like it were as easy as falling off a log!
The rest of the cast is more than adequate, with Tonio singing all of his customary high C's.Sulpice and Countess are excellent as well!
All in all, a great performance. You can get Beverly Sills singing this opera in French on the Opera 'oro label. She in even better voice and it's in the original language.
Rating: 
Summary: Jolly Romp
Review: The most unfortunate aspect of this video is that it is sung in English and looses some of its charm in the process. Luckily, Beverly Sills has enough charm to more than make up for the English translation. She may not be quite as firm or sweet of voice as she used to be, but she sails through the scales, trills and breathtaking flights of coloratura like it were as easy as falling off a log!
The rest of the cast is more than adequate, with Tonio singing all of his customary high C's. Sulpice and Countess are excellent as well!
All in all, a great performance. You can get Beverly Sills singing this opera in French on the Opera 'oro label. She in even better voice and it's in the original language.
Rating:
Summary: Comedy Opera At Its Best: A Must Have
Review: There are several reasons why you should buy this DVD live performance of Donizetti's "The Daughter Of The Regiment" from 1974 at the Wolf Trap. First of all, Beverly Sills stars as the best comic heroine Marie, delivers absolute comedy and sings beautifully, and Beverly Sills performances are rare on DVD or video - only La Traviata and Donizetti's Roberto Devereux are available. Secondly, this delightful opera (originally in French) has been revised to be sung and performed in English and therefore is much easier to understand, the dialogue and the singing flows more naturally and is more acessible. Finally, the rest of the cast is really good- Wendelken-Wilson's grumpy Sulpice, Muriel Greenspoon's comically bourgeois La Marquise, Mcdonald's romantic and heroic Tonio and of course the spunky Marie performed by the one and only Beverly Sills. Sung in English, this opera becomes, as already mentioned, a lot like a Gilbert and Sullivan operetta or a Broadway musical comedy. Nevertheless, it is highly enjoyable and does not entirely lose it's operatic charm. The "opera" effect is still intoned and inflected into the singing. The recitatives and dialogue are showcases for the singers' acting abilities. This was the real power of Beverly Sill's career- she could sing and act in blissful collaboration, where many other sopranos (and tenors) only showcase how gorgeous their voices are. In 1969, Beverly Sills sang the role of Marie in a live performance of Donizetti's "La Fille Du Regiment" in its original French for the American Opera Society conducted by Roland Gagnon. The cast included Grayson Hirst as Tonio, Fernando Corena as Sulpice and Muriel Greenspoon once more as La Marquise. That performance was recorded live and is available in the classical music section of Amazon.com. It's highly recommended if you wish to listen to the opera in its true French form and, for fans of Beverly Sills, to listen to her Marie when she was in a lot better singing condition. That recording is very impressive and if you don't mind the live recording "issues" - the audience murmuring, laughing, applauding, coughing, etc, then that recording is for you. Ultimately, it's more rewarding to hear the original French because Beverly Sills herself always claimed that she was primarily a French singer and that French opera suited her talents best.
Rating:
Summary: Beverly Sills In An Enjoyable Opera Sung In English
Review: This DVD was taken from the rare Wolf Trap performances in New York City. This was a time when televised broadcasts of operas was new and the Met live performances were still to come. Beverly Sills was unfortunatel unable to appear in televised performances during the 80's, as her contemporaries Joan Sutherland, Luciano Pavoratti, Cecilia Bartoli, etc. and many others did. In the 80's , Beverly had retired from the opera stage and took on management for the New York City Opera. But the few televised appearances she made were found in the Wolf Trap performances. These are now on DVD. Her crowning achievement as Queen Elizabeth I in Donizetti's "Roberto Devereaux" is on DVD, as well as her touching performance as Violetta in Verdi's La Traviata. And then there's this. Donizetti's "La Fille Du Regiment" (Daugther of the Regiment) was made for the Opera Comique. It was a French opera through and through. The satire, the comedy and beautiful singing is a lot like something Offenbach would have written. It was a French opera for a French audience. Later, revisionists reworked the opera to make it in Italian as "La Figilia Del Regimento" and who knows what gave anyone the idea of making the opera into English musical- "The Daughter Of The Regiment." In English, it sounds more like a Broadway musical or like a Gilbert and Sullivan operetta. It's not really as it should be. It's a lesser work of art. But nevertheless, even if it is in English, Beverly Sills delivers a terrific performance. Beverly had already sung operas in English. She sang the opera "The Ballad Of Baby Doe" which was tailor-made for her alone, and in another English version of Handel's Julius Caesar. Beverly's English style is excellent, and is most indicative of her acting abilities. During the recitatives and other sections where Sills is required to act, we can see how she truly loved the theater and how she had acting in her blood. Jokingly, she called herself Lucille Ball if she could sing opera or that she resembled Little Orphan Annie for this role. She was as much an actress as she was a great opera singer. On stage, she could deliver a performance that either made audiences laugh with enjoyment or cry profusely in pathos. In this Donizetti comedy, Beverly plays Marie, a young French orphan. She is taken into custody of a regiment in Napoleon's army. She has been arranged to marry a decadent and villainous Duke, but her heart belongs to one of the soldiers - naturally the idealistic romantic tenor. After much going-ons, a lot of slapstick comedy, beautiful ensembles and arias, Beverly marries her true love. Donizetti's gift for comedy was genius. He was as good with great tragedies- as his Lucia Di Lammermoor has proven. Donizetti's French style is clearly ignored here. It would have been a lot better if this was sung in its original French. But all in all, if you enjoy great "musical" English style, and if you are a fan of Beverly Sills, this DVD is made for you.
Rating:
Summary: Very good, I thought
Review: This is sung in English, as you must know by now. I preferred it that way. For some reason, it made me conscious of tunes I simply had never noticed before. It was a relief to be free to watch the performers instead of having to keep my eyes fixed on the subtitles. The lyics (is "lyrics" low-brow, common? Ha!) were good I thought, no Larry Hart, but the rhymes were true and they got the story across. One thing, though, the writers might learn the difference between "lay" and "lie." Sills was perfectly uncouth, and when she let fly with a few "hells" and "damns" (god bless her!) she endeared herself to me for forever, as though she wasn't already. Her voice was its usual technical miracle with its beautiful sound. The soldiers were all smiles, the cast did a wonderful job. This is far from my favorite Donizetti opera (though I find something to like in all of them), but it was good fun, funny and beautifully sung. The sound and picture quality (once I put my glasses on) were both fine. One last note. (I'm urethral, there always is one.) Several reviewers have said Sills was over the hill when she sang this. I didn't think so at all. And one reviewer objected to the conductor's head being visible a few times. It was. So what?
Rating:
Summary: Very good, I thought
Review: This is sung in English, as you must know by now. I preferred it that way. For some reason, it made me conscious of tunes I simply had never noticed before. It was a relief to be free to watch the performers instead of having to keep my eyes fixed on the subtitles. The lyics (is "lyrics" low-brow, common? Ha!) were good I thought, no Larry Hart, but the rhymes were true and they got the story across. One thing, though, the writers might learn the difference between "lay" and "lie." Sills was perfectly uncouth, and when she let fly with a few "hells" and "damns" (god bless her!) she endeared herself to me for forever, as though she wasn't already. Her voice was its usual technical miracle with its beautiful sound. The soldiers were all smiles, the cast did a wonderful job. This is far from my favorite Donizetti opera (though I find something to like in all of them), but it was good fun, funny and beautifully sung. The sound and picture quality (once I put my glasses on) were both fine. One last note. (I'm urethral, there always is one.) Several reviewers have said Sills was over the hill when she sang this. I didn't think so at all. And one reviewer objected to the conductor's head being visible a few times. It was. So what?
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