Rating: 
Summary: brillant, Fantastic, best buy of the year....
Review: I brought this d.v.d in October & was so excited about it, because I have always loved the musical, & liked the film Version with Ted Neely, so I guess I was expecting the same sort of thing. But *WoW* how wrong could I be, its so diffrent from the film version. From the intro with the Guns & & the disciples all dressed leather. As you wacth you think emmm very strange, but please dont be put off. because as soon as you hear the familar tune of "heaven on their mind`s". You forget about the guns etc. & just get caught up with the whole thing, so much so i felt like I was one of the disciples singing along. Thats how it makes you fill like you go into the screen. All the parts were great Jerome Pradon was brillant as Judas with such a energectic performance I was quite overcome. But for me Glenn Carter was the icing on the cake, his whole performance was brillant, that when he sang Gethsemane it made my hair stand up on the back of my neck, And he sang it so well as its quite a hard song to sing. To me Glenn was the Christ & when you wacth it you go through all his emotion & Anguish, & you felt the pain he was going through while being nailed to the cross. i love my d.v.d & highly recommend it to anyone young & old. The brillant Glenn Carter made this for me & will go very far. We love ya Glenn.
Rating:
Summary: Absolutely essential for any JCS fan!
Review: Yes, I am one of those people who CANNOT watch or listen to Jesus Christ Superstar without singing along in a loud voice much to the annoyance of my wife. I have been a fan of the piece for years. When a friend pointed this DVD out, I was suprised as I hadn't heard about a new version of JCS and I thought this was just a quick "cheapie" rehashing of the show to cash in on the upcoming easter season.Being a fan, I bought it anyway. This production completely blew me away. It is a fabulous update of the show -- not only in terms of costume and staging, but also in terms of interpretation. The focus on telling a story is much stronger in this than in any other version I have seen (and I've seen many). Astoundingly, while it is clear the music takes second place to the *acting* in this version, the music is not second rate by any means. Basically, we have tremendous acting on the part of Jesus and Judas -- brilliantly highlighting the attitudes of each towards Jesus' "superstar" status -- coupled with fantastic singing and a fabulously orchestrated score. On my fancy dolby digital home theater system, it sounded great (though I had to push the volume to a high level to get a good balance between the vocals and orchestration). This delighted me since I remain underwhelmed by the dynamic range of the music track on the Norman Jewison movie DVD. Overall, a MUST buy for any fan of the show. There is also a great "making-of" featurette on the DVD that is interesting and insightful.
Rating:
Summary: Wow! What inspiration!
Review: I am extremely impressed with the new video version of Jesus Christ Superstar. The whole show was immaculately presented and the intensity of emotions that were expressed left me feeling every stage of agony, torture and despair right along there with the cast. The sheer electricity between Pradon and Carter brought a unique insight into the interpretation of this tragic event that served to expose the awesome talent and professionalism of these two extremely talented individuals. My first viewing of the video left me a quivering, sobbing wreck having been drained emotionally by the inspirational power of their performances. I had seen the original film version starring Ted Neeley during my youth but I was totally unprepared and amazed by the transformation in the new show. The role of Christ is a demanding one for any actor, given the deification associated with the subject, but it takes someone pretty special to portray the human qualities of a man whose deity is the first and often, the only thing that is remembered about him. Glenn Carter's own unique character helped to gently remind us of those qualities as well as the fragility and vulnerability of this remarkable individual. Christ's capacity to love and forgive is passionately emulated in this performance by an equally remarkable actor. It is not hard to see why Mr Carter was chosen for this particular part. The sensitivity with which he portrays the role does not, in my view as a practicing christian, demean the sanctity of Christ's mission or the consequence and tragic, yet necessary, conclusion of it. From his soft expressions of puzzlement to his heart-stopping and sometimes explosive lyrical renditions the audience cannot help but be aware of the silent angst that permeats every scene. Each expression and movement marries perfectly to the next and exudes the patience, and long suffering of a man who knew that he was going to suffer a most horrible and tortuous death. The role of Judas, played by Jerome Pradon, too begs consideration as a performance as equal in passion and sensitivity as that of Mr Carter as Jesus. In fact, they compliment each other perfectly. The slow torment suffered by Judas as he prepared to and ultimately betray Jesus was portrayed with such exactness as to have me actually feeling sorry for him. Jerome's often cynical and leering expressions left you in no doubt about what Judas was feeling but the 'tearful' moments revealed the true love he had for his friend and redeemer. Judas really believed he was doing what was right and Mr Pradon's interpretation of the role was instrumental in expertly manoevering the emotions of the audience into considering that maybe it was he, Judas, who was the real victim in all this. The finely tuned balancing of skills ranging from a mere glance to the tremendous vocal intercourse exercised by these performers is what makes this show a classic. Gayle Edwards is indeed a truly talented director and her influence can be seen in every scene as moods change smoothly and effortlessly through the show, whilst carrying the audience along on a rollercoaster of emotions that would tear even the hardest of hearts apart. Of course, credit must go too, to the supporting actors and actresses without whom the principals could not function. Renee Castle who played the part of Mary, brought an almost surreal yet still comforting quality to her character which blended perfectly with the vulnerability of Christ, as the man. Fred Johannson was absolutely tremendous as Pilate. The ambience that was created by his rich, deep voice was equally reflected in the dark brooding looks both of which contributed perfectly to the morbid intensity required of the part. It is easy to see why he was chosen for the role. I really cannot see who could have carried it off any better. My only disappointment was the part played by Rik Mayal. His vocal talent, or should I say, lack of it, was a let down as was his portrayal of Herod. I do have a lot of respect for this fine actor but I don't believe he was the best man for this part although he did carry it off with much comical aplomb which is after all, his forte. If you haven't seen it yet you are denying yourself the exquisite joy and privilege of watching an inspiring cast in action. The creation of this show alone should have earned Andrew Lloyd Webber his knighthood.
Rating:
Summary: "Jesus Christ Superstar" is, well, super!
Review: The 2000 DVD of Jesus Christ Superstar is a well-done update of the 1970's classic. That fact doesn't take away from the point that the original film was very good as well, but it's important to recognize that the productions are very different, if only for the reason that Norman Jewison's movie was just that, a movie, while the new production is very definitely a stage show. All of the actors did a wonderful job with their roles. Especially outstanding were Renee Castle as Mary and Glenn Carter as Jesus. Many have commented that the actors' facial expressions seemed to be exaggerated and overdone. However, one must realize that most, if not all, of these actors were trained for the stage. In live productions, you don't have close-ups. It's important that even the audience member in the last row of the theatre be able to see every emotion projected. While, on TV, Pilate and Judas's expressions may seem over the top, in a Broadway show they would be just right. That said, the real outstanding performance of the show is Jerome Pradon as Judas. He hits every aspect of the role head on, from vocal to dancing to acting. The moment for me that makes the whole show is during Judas's confrontation with Jesus during "The Last Supper" when Pradon wails "Every time I look at you I don't understand/Why you let the things you did get so out of hand." The frustration and guilt for the act he must perform is palpable, and the strangled cry of sorrow as he sinks to his knees takes the viewer's breath away. Other, smaller performances are just as good as the main roles. Tony Vincent (who played Judas on Broadway) is a wonderful Simon Zealotes, filled with exactly the wrong kind (in Jesus's eyes) of enthusiasm and ambition. Frederick B. Owens is great as Caiaphas (what a wonderful voice!). Rik Mayall, whose performance may be the most disputed of the recording, brings a new interpretation the Herod. He has fun with the song, while still managing to be threatening and scary, and his unique voice contributes to a memorable performance. The 2000 recording is a performance full of energy, life, and a timeless message that has enthralled millions not just since the 1970's, but for 2 millennia. While different from the older movie, it is no more or less, but a new version of the same story. Watch both, buy both, and love both.
Rating:
Summary: Excellent for the small screen!
Review: I was a little apprehensive about seeing this wonderful play on the small screen, but turned out to be pleasantly surprised. Close-ups of the actor's faces allowed them to show things you wouldn't normally see in a stage production. They were able to show their acting skills as well as singing skills. Jerome Pradon's Judas was especially enjoyable - he really made you feel Judas' confusion, pain and guilt. The rest of the cast did an excellent job as well, except for Rik Mayall - I wasn't sure what he was thinking when he took on the part of King Herod. Renee Castle's Mary Magdalene was one of the best I've seen. It was nice being able to share this with my children as well, although they usually turn it off before the crucifixion and rewind it to start over. We probably watched it 10 times the first weekend we bought it.
Rating:
Summary: awesome, intense instant classic...
Review: bravo! i purchased this dvd today with mixed feelings and did not expect too much, having seen the film numerous times and the broadway show 3 times. wow, was i ever floored! great acting, great singing by all, the very best score al webber ever did! here it simply pulsates and rocks with passion and emotion! the audio asnd picture quality are superb as well! an instant classic not to be missed, but to savor over and over! bravo.. it is filled with such showstoppers that broadway today would not know how to even begin!
Rating: 
Summary: In the words of Forbidden BW: "Jesus Christ Stupid-Star"
Review: Recently released in the US, after a year of waiting was the 'revised' Jesus Christ Superstar Production. Now, those of you who were lucky enough to see the revival on Broadway at the Ford Center, know what kind of a powerful, moving, disturbing and quite serious production it was. The critics ripped it to shreads...I saw it 8 times (including the first Preview and Opening Night...And...believe me, Mr. Andrew Lloyd Webber is a very, very ugly man)...so you figure it out. This new video, a combination of the stylish handiwork of director Gayle Edwards' Broadway and European versions of JCS 2000. And if you did see the Broadway version...stick to your memories, because this video won't help them at all. Let me start by asking, is it offensive when I say, I couldn't wait for Judas to hang himself?? Jerome Pradon (Judas) is an actor of very limited resources. Ok, let me be blunt...he can't sing or act. How he got cast in this version, I don't even think he knows. His singing voice makes you want to fast forward. Now, I'll never forget my seventh time seeing JCS 2000 on Broadway. After the show, I turned to my boyfriend at the time, and said, "Isn't that cute, Glenn Carter tried to act this time!" He should stick to singing. When he tries to act out emotion or anything else, it just spoils the illusion. He is a great Jesus, and projects Gethsemane quite well, but he is not the caliber star that should be playing Superstar. Mary...I'll be nice...and skip over her very quickly. Pilate was depicted quite possibly the best I have ever seen him. Fred Johanson sings Pilate's Dream with such emotion that he does bring himself to tears. It was quite moving. He played the character, always showing, that he did not want to crucify Jesus. He shows the constant struggle with the character. Pilate, as I've said over and over again, is the all-time Tragic Hero. And Mr. Johanson portrays this statement very well indeed. The Trial was not quite intense as on Broadway (By the time the lashed ended, I was a hysterical mess! I jumped every time Jesus was lashed!! :-) was it got the point across. Now, King Herod...what the hell was up with that?? I'm assuming Rik Mayall must be a big name somewhere, because he destroyed this part. The guy can't sing to save his life, and added to the destruction of the video. And last but certainly not least...the High Priests. Caiaphus (played by Frederick B. Owens, as on Broadway) added the same spark and dark undertones to the part. Nobody beats Freddy! And Annas...quite interesting...the character was always around...like on Broadway...but a completely different physical appearance. If you were lucky enough to see the Broadway version of JCS 2000...And see Jason Pebworth (or his replacement for Judas, Tony Vincent), Glenn, Maya Days, Kevin Gray, Paul Kendal, Frederick and the absolutely amazing Ray Walker (as Annas)...then you were in for the real treat. Overall...thumbs down...Between Cats, Joseph and now JCS...I'd hate to see what Sunset is going to turn out to be like...:-(
Rating:
Summary: Superstar at its best
Review: I was a little apprehensive about buying this title but what a surprise. The staged production was magnificent ,better than the original Broadway production. Glen Carter in the title role was nothing less than superb. You could feel his emotions and almost read his thoughts.I know I will be watching this quite regularly.
Rating: 
Summary: Inferior to the 1973 film version.
Review: This 2001 production version of JESUS CHRIST SUPERSTAR featured some very impressive and eye-catching set work. The costuming and staging were of equal high quality. Aside from this I have to say the 1973 film version was superior. The main detraction from this production was the performance of Jesus. He did a wonderful job acting, but his voice was not suited for the powerfully high accensions that the role of Jesus mandates. Ted Neeley did a wonderful job in the film version. Glenn Carter flips into his falsetto voice during the powerful, dramatic moments and it almost comes off as comical. I was especially displeased with this during the song "Gethsemane." One other detraction from the show was the obvious overacting in many of the roles, most notably with Pilate. One would think overacting in such a dramatic story would be hard to do, but it was accomplished, unfortunately. The one role that I was really impressed with was Renee Castle's Mary. Both her vocal quality and acting ability were top notch, an I preferred her performance to that of Yvonne Elliman in the 1973 version. For overall performance I would stick with the original version. Though for staging and set design (and Renee Castle's performance) this is well worth watching.
Rating: 
Summary: The best version of JCS so far!
Review: This is basically a filming of the most recent stage production of Andrew Lloyd Webber's most controversial (and in my opinion greatest) musical. But this definitely has a wonderful "feature film" quality to it due to the brilliant directing, editing, and production values. I really think this could have been an even more amazing film if the director was given a bigger budget and allowed to do some exterior location shots. As is, it's still a terrific accomplishment. This is heads and shoulders above the 1970s movie version which really didn't take as many creative chances as it could have based on the source material. Setting the Jesus story in modern times opens this up to wonderful "what if" interpretations and arguably makes it more relevant to today's youth. And despite the initial shock of seeing the present-day setting, the story remains relatively faithful to the traditional biblical tale, with the usual creative license that is a given when the epic story is condensed into a two-hour dramatic re-telling. This version was daring in many respects: the religious leaders (Pharisees and the Sanhedrin) are shown wearing costumes which look like Christian priestly garb -- with black collars instead of the familiar white. Jesus is shown as much more human than is usually depicted while still having some sense of the divine (such as His prediction of his betrayal and death.) I would have liked to have seen a more balanced depiction of the duality of Jesus' human/deity nature, but the original Tim Rice text leans the character on the "more human than God" side, which will obviously upset fundamentalists, but which makes the "Agony in the Garden" scene the powerful character highlight it's supposed to be. (I still think that scene hasn't been captured as effectively as it could -- one of the few moments when I questioned the director's staging choices.) The cast was fine, and despite the occasional over-acting it still played well for me. Carter was a fine Jesus, although if he'd grown a beard (even a goatee) the illusion would have been greater and made us picture him even more as Jesus. I though some of his high notes sounded a bit weak, but that's just me. Judas was terrific. Pilate's first scene was wonderful but towards he went too over-the-top for my tastes. I was disappointed in Herod, but I loved the subtle reaction shots of Jesus during that scene. Again, this is a stage production captured on video, not a tradional movie. With that in mind, this is still a top-notch experience. Check it out.
|
