Rating: 
Summary: A Butterfly they tried to catch
Review: "Straight No Chaser" offers an abundance of wonderful footage of Thelonious Monk in concert, in transit, at home, in rehearsal, eating, sleeping, spinning in circles, in the studio, signing autographs and of course creating magic at the keyboard. Watching this film is like watching the weather on any given day. At one moment it's cloudy and grey, the next sunny and blue and in between anything could happen, and does. Monk clearly had serious and long term mental health problems, but the music the man created is his real legacy and there is plenty of it here. Towards the end of the film Milt Jackson, Art Farmer, Tommy Flanagan and Barry Harris try to work out the chord progression to one on Monk's songs and as things get more and more complex Milt Jackson (who played with Monk) simply smiles to himself with a combination of perplexity and amusement at the sheer genius of the music.The excitement and sense of discovery one feels in witnessing this precious footage does become tempered by the lack of insight into the nature of his music and the full impact of it upon other musicians. The interviews are revealing, especially Harry Colomby (Monk's manager) and a visibly emotional TS Monk Jr. who with understandable difficulty recalls his father's mental problems. Ultimately though, the uniqueness of Thelonious Monk's music shines through. His television performance of "Just A Gigolo" about half way through is inspiringly honest, utterly sincere (even in it's sardonic humour) and completely absorbing. Monk's most lasting musical legacy was probably his honesty as a musician and as a man, the rarest quality of all.
Rating:
Summary: A Butterfly they tried to catch
Review: "Straight No Chaser" offers an abundance of wonderful footage of Thelonious Monk in concert, in transit, at home, in rehearsal, eating, sleeping, spinning in circles, in the studio, signing autographs and of course creating magic at the keyboard. Watching this film is like watching the weather on any given day. At one moment it's cloudy and grey, the next sunny and blue and in between anything could happen, and does. Monk clearly had serious and long term mental health problems, but the music the man created is his real legacy and there is plenty of it here. Towards the end of the film Milt Jackson, Art Farmer, Tommy Flanagan and Barry Harris try to work out the chord progression to one on Monk's songs and as things get more and more complex Milt Jackson (who played with Monk) simply smiles to himself with a combination of perplexity and amusement at the sheer genius of the music. The excitement and sense of discovery one feels in witnessing this precious footage does become tempered by the lack of insight into the nature of his music and the full impact of it upon other musicians. The interviews are revealing, especially Harry Colomby (Monk's manager) and a visibly emotional TS Monk Jr. who with understandable difficulty recalls his father's mental problems. Ultimately though, the uniqueness of Thelonious Monk's music shines through. His television performance of "Just A Gigolo" about half way through is inspiringly honest, utterly sincere (even in it's sardonic humour) and completely absorbing. Monk's most lasting musical legacy was probably his honesty as a musician and as a man, the rarest quality of all.
Rating: 
Summary: Chicken dumplins in Denmark?
Review: Alas, pianist Thelonious Monk was unable to acquire chicken dumplins in Copenhagen during a tour stop. The room service waiter kindly offered him chicken salad. He also ordered mashed potatoes. Thelonious Sphere Monk (1917-1982) is generally credited with inventing what we call be-bop, that fiery brand of jazz that emerged post WW II with Charlie Parker, Dizzy Gillespie, and others. Be-bop sounded the death-knell of big band/swing like Glenn Miller and Woody Herman. Monk was there at the forefront although it would be years before he garnered the acceptance or credit he deserved. Bouts with mental illness also hampered Monk from time to time. He was hospitalized numerous times. This DVD compiles FASCINATING black and white footage of Monk during his 1968 tour. We see Monk smoking, Monk talking and laughing, Monk recording, Monk yelling at Teo Macero ("Why can't nobody do what I tell 'em to do!" an exasperated Monk yells after learning that Macero-in the control booth-failed to record the song the group had just finished), Monk with his wife Nellie, Monk on the street, getting dressed, spinning in circles etc. This is truly amazing footage folks. If only we had such a visual document for every great jazz artist. The dialogue is very interesting. Monk himself is often hard to understand, his words often seem to run together. But I was able to understand enough. There are interviews with musicians and managers and others. It is great to see Monk's main saxophonist, Charlie Rouse, commenting on his friend. In one of the highlights of the film we see Monk rehearsing his group prior to a London performance. It is awesome to watch Monk lead Rouse, Phil Woods, and Johnny Griffin (!) thru the chord and tempo changes. Wow. It's also great to *hear* so much great music in a film. This is almost a musical in that sense. We don't get any extras except a trailer here, but the strength of the film itself would make it a five star purchase if nothing else were on the disc. Essential.
Rating:
Summary: Chicken dumplins in Denmark?
Review: Alas, pianist Thelonious Monk was unable to acquire chicken dumplins in Copenhagen during a tour stop. The room service waiter kindly offered him chicken salad. He also ordered mashed potatoes. Thelonious Sphere Monk (1917-1982) is generally credited with inventing what we call be-bop, that fiery brand of jazz that emerged post WW II with Charlie Parker, Dizzy Gillespie, and others. Be-bop sounded the death-knell of big band/swing like Glenn Miller and Woody Herman. Monk was there at the forefront although it would be years before he garnered the acceptance or credit he deserved. Bouts with mental illness also hampered Monk from time to time. He was hospitalized numerous times. This DVD compiles FASCINATING black and white footage of Monk during his 1968 tour. We see Monk smoking, Monk talking and laughing, Monk recording, Monk yelling at Teo Macero ("Why can't nobody do what I tell 'em to do!" an exasperated Monk yells after learning that Macero-in the control booth-failed to record the song the group had just finished), Monk with his wife Nellie, Monk on the street, getting dressed, spinning in circles etc. This is truly amazing footage folks. If only we had such a visual document for every great jazz artist. The dialogue is very interesting. Monk himself is often hard to understand, his words often seem to run together. But I was able to understand enough. There are interviews with musicians and managers and others. It is great to see Monk's main saxophonist, Charlie Rouse, commenting on his friend. In one of the highlights of the film we see Monk rehearsing his group prior to a London performance. It is awesome to watch Monk lead Rouse, Phil Woods, and Johnny Griffin (!) thru the chord and tempo changes. Wow. It's also great to *hear* so much great music in a film. This is almost a musical in that sense. We don't get any extras except a trailer here, but the strength of the film itself would make it a five star purchase if nothing else were on the disc. Essential.
Rating:
Summary: The Dead Sea Scrolls of Jazz?
Review: Here it is-Clint Eastwood's *other* jazz film. The core of this biographical documentary about the innovative pianist and co-founder of bebop Thelonious Monk is footage of a recording date and tour from 1968, plus priceless scenes of Monk offstage. Filmmaker Bruce Ricker lets the 1968 film, shot by Michael and Christian Blackwood, speak for itself, interspersing stills, interviews, and some equally priceless early Fifties television footage. The 1968 film is shot in gorgeous black and white; the dark smoky club is especially impressive, visually. Monk himself is imposing in black and white, with his greatcoat, pointy beard, and assorted headwear. In one scene he rolls into the recording studio wearing a lensless eyeglass frame and a Polish cavalry officer's cap. He shambles through the film, all sweat and bulk and cigarettes and raspy voice. There are a couple of great shots of his distinctive, spinning dancing, full of little surprises. The recording studio scene is fascinating on a couple of levels. We get to see Monk and sax sideman Charlie Rouse go over the score of a song together. But we are also reminded that this is the late Sixties, when jazz isn't selling, and Monk is not a legend yet. The clueless producer and recording engineer, while friendly, keep telling him to play something to warm up, and then neglecting to record it. Monk finally loses patience and stomps off to a corner to angrily suck down a cigarette. The film also records a European tour, which also has its problems. The octet that is supplied to him for the tour is oversized and under-rehearsed. They learn their parts on the plane to London, and can't get it together onstage the first night there. Much to the band's embarrassment, Monk has to stop songs to get everyone back on track. But in a day or two they shine, and receive rapturous applause. The tour has its lighter moments. Perhaps the funniest moment is Monk lying in his bed in a Copenhagen hotel, trying to get his familiar down home cooking from room service. "Say, man; you got any chicken livers?" "Umm...Ve haff chicken sahlad." "You got any regular liver?" "Regular..." "Beef liver?" "Umm...Ja, ve haff beef liffer." Here and there we meet a surprise guest. Some late Fifties/early Sixties New York club concert footage shows a room full of heavy-lidded white hipsters enjoying music by Monk and none other than John Coltrane. In a club kitchen, Monk clowns with Baroness Nica, who befriended many jazz musicians and in whose apartment Charlie Parker died. There's a montage of his records, including _Underground_, which boasts the single coolest album cover in the history of recorded music. The interview segments, with T. S. Monk, Jr. and Monk's manager are touching, giving insight as to how Monk struggled with the black dog, depression. And a couple of greybeards play some of Monk's music arranged for two pianos. It's lovely, fitting for the tribute it is. Just like this film.
Rating: 
Summary: Almost boring
Review: I love jazz, love documentaries, did NOT love this film. Sorry. It lacked editing and any real information. Skip it.
Rating:
Summary: Maybe the best film about jazz, ever
Review: I remember going to see this film in the theatre when it came out, along w/some young jass musician friends. We all thought it was the best thing on jazz we'd seen. This was not long after Clint Eastwood's Charlie Parker dramatization had come out - to nearly universal disappointment. The feeling was that Eastwood had redeemed himself by bankrolling the production of this marvelous film - wonderful old black and white documentary footage presented w/contemporary interviews, etc. It's been a decade since I saw it, but many scenes still come to mind: Monk's wife Nellie keeping him propped up, Monk inexplicably twirling around in an airport, disappointments on the bandstand, a contemporary interview w/Monk's son and his honest comments about his father's mental illness. To jazz hounds, Monk is part of the family. This film helps get to know him better and to appreciate his art, and jazz, more fully.
Rating:
Summary: A CLASSIC BIOGRAPHY
Review: I've watched this video countless times and each time, I love every minute as if it were my first viewing. This video turned me into a devoted Thelonious Monk fan, because it gives a comprehensive look at a genius of modern jazz piano through his music and his relationships with his friends, family and peers in actual film footage of the artist on and off the stage. With Thelonious Monk, what you see is exactly what you get and you'll get a genuine appreciation of classic jazz/bebop music as interpreted by a Master of American Music as well as a deeper understanding of the man. Monk died around 1981 but it is hard for me to speak of him in the past tense because with his musis and this video Thelonious Monk is immortal.
Rating:
Summary: you must have !
Review: if you are jazz fAN AS IAM ARE AMERICAN HISTORY BUFF THEN THIS FILM IS WHAT YOU MUST HAVE ,THELONIUS IS THE ONE THE WORLD GREATEST MUSICIAN THAT EVER GRACE THIS WORLD HE IN GOOD COMPANY WITH THE LIKES BEETHOVEN ,BACH ROCKMONOFF AND OTHER GENIUSES MUSIC FOR ME IS MY LIFE FORCE AN STAIGHT NO CHASER BRING IT HOME FOR ME THANK YOU FOR THE OFFERING.
Rating:
Summary: A must for Monk fans
Review: If you love Monk's recordings you can't afford not to own this. Here is Monk performing many of his classics in a variety of settings in addition to a very well edited documentary. The non-performance clips do much to shed light on Monk's personality and includes interviews with Charlie Rouse and T. Monk Jr. I thought the sections with his son , while brief, were very touching and revealing of the private struggles that Monk went through.
This may not have as much appeal to those who are unfamiliar with the mans' musical contributions but it is a fine film and a wonderful tribute to a true giant.
| 
