Rating: 
Summary: Scandinavian ballet tradition evident in this new version!
Review: As some one who is an expert on ballet(I am a ballet dancer), let me assure you that this is one of the top five performances of Swan Lake available. The dancing of the entire company is extremely accurate and lyrical. The use of mime is the best I have seen in any Swan Lake. This is characteristic of Scandinavian traditon(the company director is proud to point out the contribution of the great Danish ballet choreographer of the 19th century, Bournonville, to the Royal Swedish Ballet in one of the many interviews on this dvd). The choreography is very well thought out and rehearsed. The performance is fresh and vibrant, while still being classical and traditional. The dvd is also very nicely packaged with a large and informative booklet. If you are looking for a traditional Swan Lake performance, don't pass this one up!
Rating: 
Summary: very unhappy with the performance
Review: I am moving to Sweden soon and therefore I thought I'd check out their classical ballet since I am a ballet lover. There are two pluses and that's why I gave two stars, but unfortunately, these two stars have nothing to do with the dancing itself. The first star is given for supplying a plausible reason why there is only the queen and a prince who's been pressured to marry soon (The king's funeral starts this Swan Lake) and that the set and custumes are gorgeous. The second star is given for good camera work, that allows for a good viewing of the dancing. Precisely because of these two pluses the disappointment at the end is great. The prince and the swan princess are wooden, no chemistry at all. The whole performance is permeated with a somberness, even when the prince chances upon the Swan and supposedly falls madly in love with her. I couldn't feel the passion. On top of the lacking of emotion, the technique by both the leading dancers are not up to par. The DVD was recorded in 2002, and the modern, up-to-date camera work means I really got to see the footwork--and in this case, the lack of. Swan Lake is a hard ballet to sit through if the combination of charisma AND technique is not present. Let's face it, Swan Lake is long and the story line ridiculous. If the audience is not mesmerized by the dancing and the emotion, what will make them stay? I won't be going to the Swedish Opera House unless others are performing.
Last thought: I know the Artistic Director rambled on about "going back to the roots" and "authenticity." Let's face it: Swan Lake has evolved over time. That evolution is the reason why it remains one of the most-performed and wide-spread ballet. If authenticity means over-the-top drama and rigid execution of choreography, Swan Lake, or any other great ballets, would have been swept into obscurity long ago.
Rating:
Summary: Nathalie Nordquist is incredible!
Review: I just bought two DVDs of the Swan Lake. One is the Barenboim, Scherzer, Matz, Deutsche Staatsoper Berlin (I will soon write a review for that one) and the one on this page. The both are very good. The one on this page has stunning costumes and stage sets. The sections with the white swans are magnificent and Nathalie Nordquist is absolutely stunning. She dances with impeccable technique and superlative expression. Her swan is a joyful one rather than a dejected, oppressed bird. In addition, the camera work is extremely rewarding with a very clear picture and rich color. The sound is very clear and the orchestra plays well. Since I am a professional musician, I have compared the music in this DVD with the Barenboim, Scherzer, Matz, Deutsche Staatsoper Berlin. The Barenboim is a musical experience in itself. The music is so well performed that one could play it as a music source without the video and find it very rewarding. You can't say the same about the Swedish orchestra in this DVD, but if you are watching the video and not comparing the orchestra with a superlative performance, the production is very enjoyable.This DVD is sure to remain one of my favorites and recommend it to anyone interested in a Swan Lake performance. Nathalie Nordquist and the swans make it totally worth the purchase and the time spent watching the performance.
Rating:
Summary: Nathalie Nordquist is incredible!
Review: I just bought two DVDs of the Swan Lake. One is the Barenboim, Scherzer, Matz, Deutsche Staatsoper Berlin (I will soon write a review for that one) and the one on this page. The both are very good. The one on this page has stunning costumes and stage sets. The sections with the white swans are magnificent and Nathalie Nordquist is absolutely stunning. She dances with impeccable technique and superlative expression. Her swan is a joyful one rather than a dejected, oppressed bird. In addition, the camera work is extremely rewarding with a very clear picture and rich color. The sound is very clear and the orchestra plays well. Since I am a professional musician, I have compared the music in this DVD with the Barenboim, Scherzer, Matz, Deutsche Staatsoper Berlin. The Barenboim is a musical experience in itself. The music is so well performed that one could play it as a music source without the video and find it very rewarding. You can't say the same about the Swedish orchestra in this DVD, but if you are watching the video and not comparing the orchestra with a superlative performance, the production is very enjoyable. This DVD is sure to remain one of my favorites and recommend it to anyone interested in a Swan Lake performance. Nathalie Nordquist and the swans make it totally worth the purchase and the time spent watching the performance.
Rating: 
Summary: Regreted for buying it
Review: I just do not get it how this production could be appretiated by some viewers. I'm no expert but I have seen many productions of "swan Lake" including Royal Ballet (UK), Opera of Paris, Boshoi and ........ In this production, those dancers seem to be amateur, the best thing I can say they arr second class danders (if not third class). If you have some standard regarding ballet dancing and don't want waste your money, don't buy it. I regreted that I bought it.
Rating:
Summary: Regreted for buying it
Review: I just do not get it how this production could be appretiated by some viewers. I'm no expert but I have seen many productions of "swan Lake" including Royal Ballet (UK), Opera of Paris, Boshoi and ........ In this production, those dancers seem to be amateur, the best thing I can say they arr second class danders (if not third class). If you have some standard regarding ballet dancing and don't want waste your money, don't buy it. I regreted that I bought it.
Rating:
Summary: thoroughly enjoyable
Review: I put the DVD in my player with apprehension. Other productions of Swan Lake had put me to sleep, yet I persisted in my search for a production that I might enjoy because this story became such a popular ballet. I found this production thoroughly enjoyable from the first minutes. Several times, I gave a standing ovation to the artists.
The company synchronized incredibly well. I enjoyed seeing the men dance so beautifully, not just stuck in supportive roles. The costumes and sets were dramatic and beautiful. All worked well together to produce a completely stunning experience.
I watched this production in 3 sittings to fully savor it, certainly not because of boredom. When I reached the end, I watched the special features, hungry for more from these artists. I found the interviews with Sir Peter Wright and the principal dancers to be enlightening, interesting and surprising.
I am looking for more ballet productions by this company.
Rating:
Summary: "Swan Lake" beautifully told....
Review: I was looking for a performance of "Swan Lake" that would give me both musical and visual satisfaction and at the same time would be suitable for watching with children. I've seen many productions of this ballet but each had some problems. The magnificently conducted performance from Berlin (on Arthaus) was well danced but didn't convince me in its overly psychologizing dramatic approach. The cruelly abbreviated performance from Moscow with the fantastic Maya Plisetskaya was a great document but musically almost unbearable. Another Bolshoi performance, with Bessmertnova and Bogatyrev, gorgeously staged, danced (apart from Bessmertnova who seemed too mechanical to me) and played, was somewhat messy in its treatment of the libretto. There were some other performances, including Nureyev's and Fonteyn's, that somehow didn't work for me.
For many reasons, the Swedish Ballet's "Swan Lake" seems to me close to perfection, even if it isn't perfectly danced and - as some reviewers mentioned already- is certainly not the most rewarding musically. The orchestral playing is crude and often heavy (very prominent brass), particularly when compared with the luxurious playing of the Berlin Staatskapelle under Daniel Barenboim on Arthaus. Yet the conductor (Michel Quéval, otherwise unknown to me) seems to understand the dancers and leads them sensitively, if not always beautifully.
The corps de ballet respond to the music in a way that I don't think I've ever seen before: they really dance to the music, they seem to listen to it and respond with their steps. I am no great expert on ballet but what strikes me often, even in some very good ballet performances is the discrepancy between the music and the dance, the rhythm and the steps. The dancers seem to be so focused on giving the audience the thrill of a physically spotless performance, that they forget about everything else, including the music. It is a bit like in opera, where it is often more important to deliver the vocal goods at the cost of clarity and the musical coherence of the piece.
Here, thanks to often rather slow tempi, the dancers really have time to "illustrate" the music through their dance and even if it isn't the most muscular or dynamic dancing you are likely to see, the effect is riveting. On the other hand, what to me is a virtue of this performance, can be easily a vice for those who like their "Swan Lake" danced with breathless virtuosity and technical assurance. I certainly wouldn't call this dancing "amateurish" but there are long scenes in this production where there seems to be no dancing at all, just a pantomime-style narration of the story. To me, this is what really distinguishes this performance - its narrative clarity, achieved through the choreography and great camera work. No gesture is wasted - everything illuminates the story. This is very important if you want to watch the performance with kids and expect them to understand the story without much help, although for obvious reasons I would be happier with this version if it chose the "happy ending" solution (Siegfried defeats Rothbart and lives with Odette happily ever after) instead of the original "happy suicide" (Odette throws herself into the lake and Siegfried follows her after having defeated von Rothbart. They are reunited after death and we see them embracing each other as they slowly glide through the air).
The story, as told in Sir Peter Wright's choreography, focuses on Prince Siegfried who - as one reviewer mentioned - matures before our eyes. Wright wanted to show what motivated the prince in his search for a suitable bride - not the request of his domineering mother, as often portrayed, but the interest of his country. Wright begins the story with the funeral of the old king whose death leaves the throne to young Siegfried. I find this addition to the story very ingenious indeed, particularly since it makes a very good use of the rather melancholy music of the introduction.
As I said earlier, this performance may not be the best choice for those balletomanes who prefer more muscular, dynamic solo dancing - they may be particularly disappointed with the Prince (Anders Nordström). Although in the interviews Nordström is described as a more mature and experienced dancer than his very young partner Natalie Nordquist, I thought it was Nordquist who was the more impressive of the two. The Prince's performance in the solo numbers of act I and III was rather "static", hesitant. I almost had the impression that the choreographer was trying to spare him for some reason (sickness?) - how else can we explain his lack of participation in dancing in those scenes that usually give the dancers an opportunity to show off? It is Benno (Johannes Öhman) who does most of the dancing here (at times quite spectacular!), while the Prince is sitting in his throne and occassionally joins the dance for a few brief moments. He is a graceful dancer and a surprisingly charismatic stage persona, beautifully portraying the Prince's "Weltschmerz". This Prince is of course not your usual Siegfried, joyfully celebrating his 21st birthday, but Siegfried in mourning after his father's death. That may explain his reluctance to join the festivities in Act I but in Act III, where Siegfried should be a bit more outgoing, if only to give the dancer the last opportunity to "show off", he remains withdrawn. In the athletic scene with Odile his dancing has none of the breathtaking virtuosity expected here.
Natalie Nordquist is a delightful dancer and her Odette/Odile leaves the most favorable impression - it is a lovely, youthful portrayal of the heroine(s), very musical and technically assured, at least to my eyes.
The performance is splendid visually, although I wouldn't mind a bit more colour, particularly in the court scenes (acts I and III). The first act is greyish (but beautifully so!) to depict the court's mourning, but the act III certainly could use more colour to break the monotonously golden brown scenography. The costumes are gorgeous and together with the sets beautifully convey the gothic setting of the story.
In spite of some reservations, I am very impressed with the overall quality of this "Swan Lake". It is coherent, atmospheric and pretty to watch. Its narrative clarity is outstanding. The dancing may not be in the class of Bolshoi or Kirov but it is impressive. If you are looking for a "Swan Lake" for your kids, this may be the best introduction. (Kicek)
Rating:
Summary: Regreted for buying it
Review: I've seen several productions of "Swan Lake", and I have to say that this is far and away probably the best one around. Peter Wright's updated staging takes the classic tale of love and magic and turns it into an exquisite Gothic tragedy. The ballet opens with the funeral of Siegfried's father, a narrative touch overlooked in other stagings. As the prince faces the twin impending dooms of kingship and marriage (as his mother tells him, "You WILL marry"), his friend Benno tries to cheer him up with wine, women, and dancing. When that doesn't work, they decide, in classic male fashion, to go shoot something with Siegfried's new crossbow. The rest of the story proceeds along familiar lines: the meeting of Siegfried and the enchanted swan-princess Odette, Siegfried's entrapment by the sorcerer Von Rothbart and his disguised daughter Odile, and the final reunion of the lovers in death. What sets this production apart is its magnificent staging and excellent performances by the artists of the Royal Swedish Ballet. Anders Nordstrom is a boyish Siegfried who seems to mature as we watch, until he makes the final step into adulthood with his pledge to die with his beloved. Johannes Ohman is a hoot as sidekick Benno; watch his chagrin in Act I when the Queen discovers the court carousing after the King's funeral. He and Nordstrom are also very fine dancers, effectively displaying their prowess in the Act I pas de trois (now a dance with two courtesans) and the Polonaise, which becomes a bravura drinking dance for the men. Nathalie Nordquist is a lovely Odette, delicate and lyrical. Her Odile, however, is somewhat less effective, perhaps because of her young age; she lacks the attack and sensuality of a more seasoned ballerina, and in her hands Odile becomes more charming flirt than evil seductress. Still, Nordquist shows great promise in such a difficult role. (For the record, my favorite Odile is Susan Jaffe's portrayal in "American Ballet Theatre: Variety and Virtuosity".) The costume and set designs are sumptuous, if a bit dark, and the whole thing is a visual feast. The DVD also includes fascinating extras, such as interviews with Nordstrom and Nordquist, a look back at other classic "Swan Lake" productions, and a chat with choreographer Wright about the story behind his staging (which is helpful if your ballet-mime-to-English is a bit shaky). If you can only buy one "Swan Lake" for your collection, make it this one!
Rating:
Summary: Gorgeously gothic!
Review: I've seen several productions of "Swan Lake", and I have to say that this is far and away probably the best one around. Peter Wright's updated staging takes the classic tale of love and magic and turns it into an exquisite Gothic tragedy. The ballet opens with the funeral of Siegfried's father, a narrative touch overlooked in other stagings. As the prince faces the twin impending dooms of kingship and marriage (as his mother tells him, "You WILL marry"), his friend Benno tries to cheer him up with wine, women, and dancing. When that doesn't work, they decide, in classic male fashion, to go shoot something with Siegfried's new crossbow. The rest of the story proceeds along familiar lines: the meeting of Siegfried and the enchanted swan-princess Odette, Siegfried's entrapment by the sorcerer Von Rothbart and his disguised daughter Odile, and the final reunion of the lovers in death. What sets this production apart is its magnificent staging and excellent performances by the artists of the Royal Swedish Ballet. Anders Nordstrom is a boyish Siegfried who seems to mature as we watch, until he makes the final step into adulthood with his pledge to die with his beloved. Johannes Ohman is a hoot as sidekick Benno; watch his chagrin in Act I when the Queen discovers the court carousing after the King's funeral. He and Nordstrom are also very fine dancers, effectively displaying their prowess in the Act I pas de trois (now a dance with two courtesans) and the Polonaise, which becomes a bravura drinking dance for the men. Nathalie Nordquist is a lovely Odette, delicate and lyrical. Her Odile, however, is somewhat less effective, perhaps because of her young age; she lacks the attack and sensuality of a more seasoned ballerina, and in her hands Odile becomes more charming flirt than evil seductress. Still, Nordquist shows great promise in such a difficult role. (For the record, my favorite Odile is Susan Jaffe's portrayal in "American Ballet Theatre: Variety and Virtuosity".) The costume and set designs are sumptuous, if a bit dark, and the whole thing is a visual feast. The DVD also includes fascinating extras, such as interviews with Nordstrom and Nordquist, a look back at other classic "Swan Lake" productions, and a chat with choreographer Wright about the story behind his staging (which is helpful if your ballet-mime-to-English is a bit shaky). If you can only buy one "Swan Lake" for your collection, make it this one!
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