Bluegrass Journey

Rating:
Summary: Bluegrass believers: The bus loads here
Review: Filmmakers Ruth Oxenberg and Rob Schumer, eavesdropping on The Grey Fox Bluegrass Festival in upstate New York, have made an engrossing documentary that accurately captures the invigorated, post-"O Brother" bluegrass scene in all its glories and excesses. The film's heady goulash of performances, interviews and verité footage of the music's movers and shakers and their fans - whose singleminded devotion, frankly, sometimes comes off as darn near cult-like - stands as one of the best, most entertaining primers available for those interested in where bluegrass started, where it is now, and where it appears to be headed. (The thoughtful commentary of Del McCoury and Tim O'Brien is especially worthwhile.) The filmmakers pointedly include brief shots of fans of African American and Asian ethnicity, but the pervading lily-whiteness of the bluegrass community is inescapable, and the film doesn't bother to examine why that is. The non-stop musical highlights - there's snippets or full versions of about 34 songs - come not only from the large and impressive roster of artists, but also from the amazing jammers, who deserve their own movie. The Del McCoury Band doing "Rain and Snow" (one of the best bluegrass murder tunes and a personal favorite) stands out, along with Tony Rice's solo "Shenandoah/Danny Boy" medley, some of the prettiest guitar playing you'll ever hear. For my taste, the film squanders too much attention on Nickel Creek, whose wimpy noddlings - which I lump in the same class as Yanni and John Tesh - is not even remotely bluegrass, on this or any planet. The phenomenal talent of NK's Chris Thile, though, is undeniable in the film's most transcendent moment, a mandolin workshop wherein he, Ronnie McCoury and Tim O'Brien trade impossibly fast, Chuck Berry-inspired licks on Bill Monroe's "Bluegrass Stomp."





Rating:
Summary: Playing to the converted
Review: This music documentary is terrific. Only slight criticism would be would like to see all the music uninterrupted by interviews. Not that they are not fascinating, I just like my music complete.....
Having said that this is a definite must have if you love bluegrass. Getting to see players we'd never heard of here in Australia was a blast. But as always, Del and the boys shine......