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Rating: 
Summary: GOING SUPERNOVA
Review: 5 stars is nowhere near the mark for the film collection of these 2 tours. If you were fortunate enough to catch Sinead before the meltdown at the Dylan Tribute and the Peter Gabriel breakdown, you know that there has rarely been an artist who blazed across the pantheon like O'Connor, and this DVD is an absolute must. When I wandered into the Mann Music Center all those summers ago to catch a singer whose CDs were profoundly moving, I had no idea how thoroughly Sinead would shred what I thought a performer could get across. The band, including then husband John Russell, who would prove to be her most reliable confidant, included Dublin's best musicians, U2 notwithstanding. Sinead riveted your attention and she delivered her heart and soul with such an incandescent intensity that it was as though you were watching a white star go supernova. In retrospect, how could she have kept it up?
In any case, the poetry of Frank Harte has never been more categorically delivered than Sinead's "I Am Stretched Out On Your Grave." She embodies the entire Gaelic and English history of Irish Poetry in this performance. The beautiful "Black Boys on Mopeds" and the ultra sexy "Nothing Compares to U" are hall marks of her early repertoire.
Theses are wonderfully shot performances, and they underscore the tragedy of Sinead having lost her grip on her sanity, reality and career. Before she turned into a mess, she was the single most protean force in rock music ever. What happened was absolutely a tragedy, first for herself. Someone had the foresight to shoot these shows and preserve the tapes. They've done all who love great music and incredible performance art an enormous service. This DVD is absolutely essential.
Rating:
Summary: "I know your answer already."
Review: As the audience sings along you will too. This DVD is one of those live performances that only legends make. I love both concerts equally. The Value of Ignorance is so raw. Some have complained about how little the camera moves. Though I think the true entertainment value of this performance is Sinead's face, because there is such emotion in her songs. Mandinka is sooo awesome, but the visual best here is the beginning of Jeruselum. All in all this video seems like it was shot by a student. Though I love to see my favorite artist in their first days. There's some kind of unblemished purity that hasn't affected their performance "technique".The Year of the Horse is definetly has more money behind it. Though still simple with the songs only being accented by lighting & camera editing. Sinead is still so pure, but you see the growth. Here you see everything from the band to a dancing Sinead. Incredibly saturated in nuiance. I love this show. I think nothing is more beautiful than how she brings all of these thousands of people together by her music...the entire audience sings along during some songs, & Sinead just smiles. I would too, I mean it's such a reality check to see what you've done & how you've affected others when the whole world sings with you. Chilling, & spiritual. I love this woman.
Rating:
Summary: DO YOU HAVE YOURS!
Review: Finally a DVD! I have both VHS of Live: Year of The Horse/Value of Ignorance. Not only is the sound excellence (5.1 Surround sound) Sinead's Voice is so crisp & pure: you can close your eyes & it feels like your there. The DVD CASE is a must have. Beautiful Cover by Jill Furmanovsky on font! Inside is the original picture covers on the VHS Year of The Horse/Value of Ignorance. You need to purchase your personal copy today from Amazon.
James
Rating:
Summary: DO YOU HAVE YOURS!
Review: Finally a DVD! I have both VHS of Live: Year of The Horse/Value of Ignorance. Not only is the sound excellence (5.1 Surround sound) Sinead's Voice is so crisp & pure: you can close your eyes & it feels like your there. The DVD CASE is a must have. Beautiful Cover by Jill Furmanovsky on font! Inside is the original picture covers on the VHS Year of The Horse/Value of Ignorance. You need to purchase your personal copy today from Amazon.
James
Rating:
Summary: The Year of the Horse
Review: Of the two DVD's released, this one and "goodnight . . .", this is the one to own. The first concert 'the value of ignorance' is alright to view once, but I don't think it's very well done. The other show 'the year of the horse' is incredible. I think Sinead was at her emotional peak around 1990-91 (even though she continues to be intersting and produce good work now), since she suddenly became famous and was getting all kinds of attention by being the real, emotional, incedible artist that she is. When the show starts of with 'feel so different' and she is standing there, radiating with dignity, wearing a long coat and glasses, she delivers an amazing, and yet very simple song with only strings. 'nothing compares 2u' is another major highlight, the way that she changes from aggression to despair so frequently during that performance grabs the viewer and yanks them in and out her turmoil. Not to mention that it's also a beautiful song. The only thing that would have made this show better is if she incorporated the strings and drum when she does 'troy', which i think is her single, most amazing track, the original version, which was given new life in 2002 by DJ's. But she does it only accoustically, which I believe takes away its original power. That new DVD, "goodnight, thank you . . ."is alright, one of Sinead's more average outings, but "the year of the horse" is an example of Sinead O'Connor that shows that she has put out a lot of average work, but when she is good, she is better than everyone else out there. There is no one like her. Stunning.
Rating:
Summary: The Year of the Horse
Review: Of the two DVD's released, this one and "goodnight . . .", this is the one to own. The first concert 'the value of ignorance' is alright to view once, but I don't think it's very well done. The other show 'the year of the horse' is incredible. I think Sinead was at her emotional peak around 1990-91 (even though she continues to be intersting and produce good work now), since she suddenly became famous and was getting all kinds of attention by being the real, emotional, incedible artist that she is. When the show starts of with 'feel so different' and she is standing there, radiating with dignity, wearing a long coat and glasses, she delivers an amazing, and yet very simple song with only strings. 'nothing compares 2u' is another major highlight, the way that she changes from aggression to despair so frequently during that performance grabs the viewer and yanks them in and out her turmoil. Not to mention that it's also a beautiful song. The only thing that would have made this show better is if she incorporated the strings and drum when she does 'troy', which i think is her single, most amazing track, the original version, which was given new life in 2002 by DJ's. But she does it only accoustically, which I believe takes away its original power. That new DVD, "goodnight, thank you . . ."is alright, one of Sinead's more average outings, but "the year of the horse" is an example of Sinead O'Connor that shows that she has put out a lot of average work, but when she is good, she is better than everyone else out there. There is no one like her. Stunning.
Rating:
Summary: Power to make you tremble; tenderness to bring you peace.
Review: What a difference two years makes! 1988 was the year after the release of Sinéad's spectacular debut album, The Lion & the Cobra. While this first album got ample alternative/college radio support, it was far from the attention garnered by the second album, and in particular "Nothing Compares 2 U." This 1988 concert showcases a somewhat callow, but still powerful, Sinéad backed handily by The Smiths' recently released Andy Rourke and Mike Joyce. That you don't see the backing musicians is perfectly forgivable. Doubly so for not seeing the audience. The effects *are* a little bit distracting, but not as distracting as the lack of continuity between songs. Still...Sinéad's performances excel by dint of her earnestly passionate expressions of emotion. Sinéad's fiery vocalisations and defiantly shaved head contrast ironically with her consciously feminine cheerleader outfit. At times, she looks just a teensy bit nervous in spite of herself. Cut to October, 1990. "Nothing Compares 2 U" has already pushed Sinéad into the proverbial limelight. The pleated skirt and leotard top of 1988 have been replaced with an intelligent jacket, flowing dress, spectacles, and earpiece. She positively reeks of maturity and self-confidence as evidenced by her theatrical gestures, provocative dancing, and playful (but in-control) banter with the audience. The 1990 performance showcases a woman who has had to grow up very quickly. She may not have known what she wanted when she was 21, but you get the feeling she knows exactly what she wants at 23. The rub? For me, it was that neither performance of "Troy" was backed with string arrangements like those used in the studio version--both are performed using a single acoustic guitar and, in case of the 1990 concert, some help from the audience. Even if you don't know what you want at 21, 31, or 41, odds are pretty good you will enjoy this DVD. :)
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